Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, October 12, 2015

Glasshopper/Triptych @ the Bridge Hotel, Newcastle - Oct. 11

Glasshopper – Jonathan Chung (Ten Sax); James Kitchman (Guitar); Corrie Dick (Drums).
(Review/photos by Ken Drew) 
Second Sunday of the month means it’s Splinter at The Bridge – Two distinct sets, one by a locally-based group and one by an up and coming group from further afield. 
With band members hailing initially from Scotland and Hexham, the young London-based trio arrived at The Bridge as part of a short UK tour celebrating the release of their debut EP ‘Glasshopper’.  The band is a relatively new and exciting instrumental trio, born out of a love for melody and improvisation. Led by saxophonist Jonathan Chung, the trio thrives on the equally creative minds of guitarist James Kitchman and drummer Corrie Dick.  Chung is developing an increasing recognition for both his inspired improvising and his melodic writing. Always with improvisation at the heart of the performance, the band plays as one to reveal the story of each piece, taking the audience on wayward imaginary journeys.
At The Bridge, the band performed Jonathan’s emotionally-sophisticated compositions, seamlessly weaving from moments of quiet sonic contemplation to emphatic but well placed full-on rock infused power-statements.  Inspiring stuff – and well received by the (quite reasonably sized) audience at The Bridge.
Triptych – Paul Edis (p/clt) Rob Walker (d) Paul Susans(b)
Earlier, Triptych took us on an exploration of styles – each member contributing one or more of their own compositions to the diverse repertoire.  They also included original interpretations of old standards, with what is now a characteristic Edis-style twist on the keys.  Also, a slower-paced and evening-mood piece played on clarinet (PE) – a nice change using a sometimes underappreciated instrument – creating a wonderfully peaceful and sombre atmosphere, and nicely done.
Ken.

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