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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 05, 2015

Jazz Co-op @ The Globe: Jazz Latin Groove: October 3

Debra Milne (vocals); Steve Summers (sop/ten sax, hand drums, tabla, percussion); Alan Law (piano); Paul Grainger (bass); Tim Johnston (drums)
(Review by Ann Alex)
The band gave us a very enjoyable, varied, and adventurous programme of groovy, boppy, Latin numbers and Debra is to be congratulated for attempting some rather difficult songs.  I loved Steve Summers sax solos, these were real solos which displayed a genuine connection with the original tunes and chords, not just a cacophonous collections of sounds, such as I’ve heard sometimes from more famous names.  And he’s a dab hand on hand drums (sorry to be repetitive!) and percussion.  The rest of the band did their stuff admirably, Alan steaming away on keys, even after an afternoon of teaching on the Jazz Co-op workshop: Paul as dependable and skilled as ever; and Tim drumming sensitively in the many ways demanded by the tunes.
They’d played Song For My Father before I arrived, then up stepped Debra, a flower in her hair, with Wave, every word clear and sweet, followed by Coltrane’s groovy Equinox. Her next number Spain demanded tricky, bop-like singing, then came Spooky ‘love is kinda crazy, with a spooky little boy like you’ and Tim using mallets on the drums for a spooky effect. Afro Blue opened with just voice, bass and drums, then Steve moved sinuously down the scales on sax, instrumentally interesting stuff. Miles Davis classic tune So What was sung, with lyrics by Eddie Jefferson, about how ‘Miles Davis left the stage when his solo was over’. The first half was rounded off with 2 of Debra’s regular songs, Consider Me Gone and Senor Blues.    
The second half began with an unusual wordless song, very pleasant listening, then came the tune Killer Joe, with lyrics by Debra (Relax). Other songs included You’re In My Heart; a song in Spanish with voice and piano only; Chick Corea’s Five Hundred Miles High and I’m Comin’ Home. And at that point I had to go home, so perhaps someone else could add a comment about the final part of the gig.
Ann Alex

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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