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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 05, 2015

Jazz Co-op @ The Globe: Jazz Latin Groove: October 3

Debra Milne (vocals); Steve Summers (sop/ten sax, hand drums, tabla, percussion); Alan Law (piano); Paul Grainger (bass); Tim Johnston (drums)
(Review by Ann Alex)
The band gave us a very enjoyable, varied, and adventurous programme of groovy, boppy, Latin numbers and Debra is to be congratulated for attempting some rather difficult songs.  I loved Steve Summers sax solos, these were real solos which displayed a genuine connection with the original tunes and chords, not just a cacophonous collections of sounds, such as I’ve heard sometimes from more famous names.  And he’s a dab hand on hand drums (sorry to be repetitive!) and percussion.  The rest of the band did their stuff admirably, Alan steaming away on keys, even after an afternoon of teaching on the Jazz Co-op workshop: Paul as dependable and skilled as ever; and Tim drumming sensitively in the many ways demanded by the tunes.
They’d played Song For My Father before I arrived, then up stepped Debra, a flower in her hair, with Wave, every word clear and sweet, followed by Coltrane’s groovy Equinox. Her next number Spain demanded tricky, bop-like singing, then came Spooky ‘love is kinda crazy, with a spooky little boy like you’ and Tim using mallets on the drums for a spooky effect. Afro Blue opened with just voice, bass and drums, then Steve moved sinuously down the scales on sax, instrumentally interesting stuff. Miles Davis classic tune So What was sung, with lyrics by Eddie Jefferson, about how ‘Miles Davis left the stage when his solo was over’. The first half was rounded off with 2 of Debra’s regular songs, Consider Me Gone and Senor Blues.    
The second half began with an unusual wordless song, very pleasant listening, then came the tune Killer Joe, with lyrics by Debra (Relax). Other songs included You’re In My Heart; a song in Spanish with voice and piano only; Chick Corea’s Five Hundred Miles High and I’m Comin’ Home. And at that point I had to go home, so perhaps someone else could add a comment about the final part of the gig.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance