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Bebop Spoken There

Greg Abate: "So many sounds are ugly now. There are no harmonics, no chords. What do people hear these days? Why do things have to change from that good music?" (JazzTimes June/July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14378 (and counting) posts since we started blogging 14 years ago. 597 of them this year alone and, so far, 2 this month (July 2).

From This Moment On ...

July

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: 4B @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 07: Lara Jones + Echo Juliet @ Cobalt Studios, Newcastle. 7:00pm.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 07: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 08: Alex Clarke Quartet @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 09: Jazz Stage @ Mouth of the Tyne Festival: Zoë Gilby Duo (12 noon); Vieux Carré Jazzmen (1:35pm); Harmony Brass (3:10pm); Ruth Lambert Quartet (4:40pm). Outdoor stage adjacent to Tynemouth Priory.

Sun 10: Tusk X Yeah You @ Live Theatre, Newcastle. 12 noon. £10.00. All day event, line-up inc. Pat Thomas.
Sun 10: Jazz Stage @ Mouth of the Tyne Festival: Rendezvous Jazz (12 noon); River City Jazzmen (1:35pm); House of the Black Gardenia (3:10pm); Classic Swing (4:40pm). Outdoor stage adjacent to Tynemouth Priory.
Sun 10 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 10: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 10: Shunyata Improvisation Group @ Saltwell Park, Gateshead NE9 5AX. 1:00pm.
Sun 10: Am Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 10: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 10: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm.
Sun 10: Jazzframe @ The Globe, Newcastle. 8:00pm.

Sunday, October 25, 2015

Charles Gordon & Kenny Hewitt @ The Jazz Café – October 24

Charles Gordon (keyboards & vocals) & Kenny Hewitt (tenor & soprano saxophones)
(Review by Russell)
Seats were at a premium this busy Saturday night. The Jazz Café did good business early on and it stayed that way. From one week to the next there’s no guessing as to how many people will turn up. Perhaps the prospect of an extra hour in bed (British ‘Summer’ Time ended at 2:00am – did anyone notice a seasonal change?) persuaded some to venture out.
Charles Gordon’s keyboards set-up dwarfed Kenny Hewitt’s low maintenance set-up of a saxophone in hand, another to one side, and a music stand. As one would expect of a long established working duo they started right on time. Spooky and Little Sunflower and some Sting suggested this would be an evening of jazz standards and familiar pop material. The introduction of one or two of Gordon’s compositions added an unexpected dimension. As the pianist’s liking for jazz-pop material is well known, his chosen subject matter came as something of a surprise: D Day and Burning in Burma ranged across global conflict and a never-ending litany of man’s inhumanity to man.
Keyboards and reeds is an established format, well within the capabilities of both Charles Gordon and Kenny Hewitt. It was, therefore, disappointing that the pianist didn’t play the Jazz Café’s upright piano, preferring to distract the listener with the frequent use of drum backing tracks. The venue’s Saturday evening stripped-down duo format offered them the opportunity to stretch out, yet, for the most part, they restrained themselves. This was, for some, a source of frustration. Only occasionally did Hewitt reveal that lurking within is a tenor player of considerable power awaiting emancipation.   
An enjoyable evening concluded with a disturbing, bizarre tale of someone (Mr Gordon?) shouting dementedly: Show me your dog…I wanna kill your dog tonight. Keep taking the medication! 
Photos.
(Russell)    

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