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Bebop Spoken There

Red Nichols: “Bix could do more on one note than any group of 100 cornet players and you can put me at the last.” – (DownBeat August 1937).

Jimmy Cobb: “A lot of places we played in the States weren't ready for Trane's thing. At one club, a woman stood up and yelled at Miles, 'Make him stop.'” – (DownBeat April 2018)

Today Friday March 16


James Harrison Trio - Lit & Phil, Westgate Road, Newcastle NE1 1SE. 1:00pm. £5.00.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland Town Hall DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Julija Jacenaite & Friends - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. Free.

Rat Pack - Live from Las Vegas @ Sunderland Empire, High St West, Sunderland SR1 3EX. 7:30pm. Featuring Rat Pack Big Band & Burrelli Sisters.

Paul Edis Sextet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:30pm. £8.00. Opus 4 Jazz Club.

Washboard Resonators - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Newcastle University Jazz Orchestra - Kommunity, Market Street, Newcastle NE1 6BH. 7:30pm. ‘End of Term Party’ promoted by NUJO (various performers, some from NUJO).

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 06, 2015

CD Review: Candice Hoyes - On a Turquoise Cloud

(Review by Lance)
Ellington didn't use girl singers a lot but, when he did, they weren't the crooning thrush's favoured by white bands or the blues mamas that most black bands used No, Duke, who let's face it was never a swing band, although, on its day, they could outswing the lot of them. Duke had pretensions but, unlike Paul Whiteman, didn't aim to bring the classical audience down to his level, Duke sought to bring the classical audience up to his level! This he did without resorting to strings (did Ellington ever use strings? I'm sure Colin will remind me if he did!) The only compromise he ever made to the straight music world to which he aspired, and, almost, achieved, was his use of straight singers such as Adelaide Hall and, particularly, Kay Davis.
Candice Hoyes is a very rare bird, an operatic singer with an amazing range who can also fly as a jazzbird without losing her credentials in either genre - available for gigs at Birdland or the Met!
Here she sings like Maria Callas may have done had she been born in Harlem!
With guys like Wycliffe Gordon, Joe Temperley and Ted Nash around there's a whole lot of jazz in there alongside the vocals - or should we call them arias?
It may well be that Duke's acceptance by the 'squares' may not be because of his suites such as Black Brown and Beige but by his use of the operatic soprano - just a thought and Candice, like Kay and Adelaide before her, does nothing to disprove it!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.