DECEMBER 2025
Fri 19: Fraser Urquhart @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT! .
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free..
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free..
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00..
Fri 19: Castillo Nuevo @ Hotel Gotham, Newcastle. 5:00pm. Free. .
Fri 19: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy..
Fri 19: Paul Skerritt @ Middlesbrough Town Hall. 7:00pm. Skerritt w. backing tapes. .
Fri 19: Giles Strong Quartet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club..
Fri 19: Creakin’ Bones & the Xmas Dinners @ The White Room, Stanley. 7:45pm. £13.01 (inc. bf)..
Fri 19: Mark Toomey Quintet @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Sat 20: Jazz Attack @ The Glasshouse, Gateshead. 11:00am. Free.
Sat 20: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy. SOLD OUT!
Sat 20: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 20: Ray Stubbs R&B All Stars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Sat 20: Hoodoo Blues @ The Globe, Newcastle. 7:15pm (doors). £14.25, £11.55. Dance class, social dancing, live music & Xmas Party. Live music from 9:00pm - Ruth Lambert, Giles Strong, Ian Paterson & John Bradford (jazz and blues).
Sat 20: John Pope Quintet @ Blank Studios, Newcastle. 7:30-8:30pm. £7.70 (inc. bf). Album recording session.
Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.
Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.
Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.
Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.
In the early 70s, I managed to get some funds to try and “upskill”
the Newcastle Big Band – some would say a vain hope. However we managed to
secure a workshop weekend with Ken Gibson, Henry Lowther and Don Rendell which
definitely worked. It also spawned a relationship with the three players who
then occasionally guested with us.
3 comments :
Is this the same Ken Gibson that originated in North Staffordshire (Stoke or Newcastle-under-Lyme)?
I have to say that it is only today, 1st March 2019, that I found out that Ken had died in 2015. I probably knew him better than anyone else did in the late 1950's and 60's. We started Imperial College together hoping to become highly qualified mathematicians. In fact we both very quickly got involved in the college jazz scene. Ken already played trumpet and I took up the double bass. We played together in various jazz groups. The first was the Imperial College Big Band and then we started some small groups. The Jazz Consortium was the first and then we formed The Jazz Congress with Richard Rushton on saxes, Ken on trumpet, Dave Perrottet on valve trombone, me (Dave Cain) on bass, Clive Heath on piano and Al Higson on drums. Ken was already writing a lot and we played many of his compositions. Later the group reformed as a quintet with Ken on trumpet, George Khan on tenor, Clive Heath, me and a young Brian Spring on drums. Ken was also running his big band which rehearsed in the Balls Pond Road as an evening class so we had somewhere to practice! I was now working for the BBC as a studio manager and then in the Radiophonic Workshop. This gave me the chance to organise recording studios and we recorded both of the small groups and the big band. I still have the reel-to-reel recordings and have transferred them onto CD. We drifted apart at the end of the 60's. Ken was writing and working with the National Youth Big Band and I was deep into Radiophonics and writing music for radio drama. Then, in the early 70's, I went to write music for schools in Cumbria and we completely lost touch. I have many fond memories of our time together! We spent our last year in university living in a disused betting shop in Fulham Cross and crammed enough maths into our heads to get a degree. Ken had a motor bike and we went around a lot together, especially to the Six Bells in the King's Road to listen to the big names of the day, for example Humphrey Lyttelton and Wally Fawkes, and drink Watney's mild at a shilling a pint! Our best trip was in 1965 when we got into Ken's Austin A40 and drove all the way to Antibes where we had the amazing experience of seeing and hearing Coltrane play 'A Love Supreme'! Finally, back to the question at the start. Ken lived in Stoke-on-Trent and I lived in Newcastle-under-Lyme, maybe five or six miles apart, but didn't know each other until we met in university. We played together a bit in a local trad band in a jazz club in Burslem. I have lots and lots of pictures of our time together, he was a really good looking guy, a Potteries Elvis Presley, and the girls really fell for him, including of course the lovely Jenny! RIP Ken, I still have my memories of you and the music we played together..
He was indeed an excellent coach. I remember discussing my various shortcomings on the trombone with him. He then took me off into a corner and proceeded to give me what I can only describe as a masterclass on trombone playing. We passed the horn to and fro between us, with him demonstrating various techniques then me trying to emulate him. He was very patient, a superb teacher. I learnt a lot.
Gordon Solomon
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