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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, July 29, 2015

Schmazz presents the Jonathan Silk Big Band @ The Black Swan - July 28









(Review by Lance/Photos courtesy of Ken Drew.)
The ethereal, tentative, probing, opening bars confirmed, what the pre-concert blurb had hinted at, that this was to be no powerhouse "hit him in the slats Bob"* big band but more of a contemporary jazz orchestra approach. Not that it was without excitement although some wag sitting at the back, stage whispered "I thought they were still tuning up!" - he left shortly after! It was complex and cleverly arranged without seeming to have been arranged at all. Section pitted against section, not in the traditional call and response format but rather like a 20th century symphonic work whereby contrasting melodic lines complemented each other. Dissonant at times? Yes, but dissonance has come a long way since the Peanut Vendor.
The addition of tuba added extra depth, as it has done in the past with various legendary ensembles including Miles Davis, Gil Evans and John Dankworth, making for a fuller ensemble sound
Tenor saxists Fleming and Wright slugged it out, Adam Chatterton, cucumber cool on flugel, Tom McNiven blew trumpet like he does when let off the leash in the SNJO, Silk played a major part as leader, composer/arranger and drummer - he kicked off the second set with an extended solo that showed us what he could do with a pair of sticks but, in the main, contented himself with meaningful support. Guitar, keys, bass (guitar and upright) kept us in the present whilst Mikey Owers, who I'm reliably informed has replaced Ryan Quigley in Brass Jaw, excelled on trombone. Not many trumpet players could replace Quigley so for a trombonist to get the gig speaks volumes.
Talking about volumes...
The lack of microphones made many of Silk's announcements inaudible to those of us sitting in 'the gallery'.  The absence of mics also presented problems for the sax soloists - particularly when the band were riffing behind them. Baritone sax (Maddock?) the most notable casualty.
The personnel given below is what was advertised, however, Phil O'Malley played some cracking trombone solos so he too was in there sliding - clarification needed. 
A quite memorable occasion.
Lance.
John Fleming, Mike Fletcher, Adam Jackson; Chris Maddock, Joe Wright (reeds); Mike Adlington, Adam Chatterton, Matt Gough, Tom McNiven (trumpets); Richard Foote, Kieran McLeod, Mikey Owers (trombones); Andy Johnson (tuba); Tom Ford (guitar); Andy Bunting (keyboards); Nick Jurd (bass); Jonathan Silk (drums).
"Hit him in the slats Bob" the legendary instruction Mrs Fitzsimmons is reported to have shouted to her husband during Bob Fitzsimmons' world title fight with James J. Corbett which, interpreted, meant "Hit him in the guts".

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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