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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 19, 2015

Graeme Wilson & Paul Edis @ The Jazz Café. July 18

Graeme Wilson (tenor saxophone) & Paul Edis (piano)
(Review by Russell/Photo courtesy of Mike Tilley)
Wilson and Edis play Monk. Eagerly anticipated. This Saturday evening the Jazz Café drew Mionk disciples, Caff habitués and the regular slew of city centre circuit drinkers. 
Thelonious Monk would have liked the Caff’s  piano – he surely played worse pianos, much worse.  Graeme Wilson’s flying visit to the north east (he had played the Opus 4 Jazz Club in Darlington the previous evening) heard him on tenor in the company of a long-time musical friend, pianist Paul Edis.

The front row crowd attentive, others – the cloth-eared – less so, heard two sets of the finest jazz one could wish to hear. Bright Mississippi, with the chord changes to Sweet Georgia Brown right there, opened the programme. It couldn’t get any better, could it? Crepuscule with Nellie – it just got better and better! Graeme Wilson always plays the perfectly conceived solo, whatever the tune, the construction logical, fully formed. The duo format can be something of a high-wire act, the musicians exposed to the dangers less evident in larger ensembles. Every nuanced note heard, Wilson and Edis have an empathetic, if not telepathic, understanding. Edis’ piano playing continues to astonish – Monk with baroque right hand and stride left. Complex, brain-befuddling, the trick, if there is one, must be in the compartmentalising (in the brain) of two disparate musical ideas.
A ballad – Light Blue – should have been heard in reverential silence. No chance. The punters were in talkative mood. At one point during the evening Jazz Café proprietor Mike Tilley told the unruly to shut up or get out. Keith Crombie would have approved! The Monk disciples applauded spontaneously – things were hotting up! Four in One – perhaps the tune of the night – reached new heights. To top the lot Nutty was nothing short of brilliant. The deafening applause, short of a standing ovation, won an encore. Wilson and Edis’ gig is a real contender for Gig of the Year, that’s how good it was.     

Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance