Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, July 04, 2015

CD Review: Brianna Thomas - You Must Believe In Love

Brianna Thomas (vocal); Allyn Johnson (piano); Yasushi Nakamura (bass); Ulysses Owens Jr. (drums). Also featuring on some tracks: Russell Malone (guitar) Marcus Printup (trumpet); Wycliffe Gordon, Nick Grinder (trombones); Tivon Penticott (tenor sax); Riza Printup (harp)
(Review by Ann Alex).
Ms Thomas, from Peoria, Ill. has sung with jazz greats such as Clark Terry and Wynton Marsalis both at home and abroad as well as being a jazz educator teaching in New York City schools. 
This is her debut CD.
A varied selection of songs - standards such as Bye Bye Blackbird and Duke Ellington’s Daydream; Stevie Wonder’s Never Dreamed You’d Leave In Summer; You Must Believe In Spring (Michel LeGrand); and 4 original songs, including the entertaining Bree’s Blues -  sung in a pleasing, ‘smokey’ toned voice accompanied by musicians who, needless to say, are well up to the job.

Personally, I found some of the tracks unappealing as the distinctive style of singing didn’t really grab me. Too much pointless scatting, too fussy and over-dramatic.  I’m even tempted to say that Ms Thomas is a better song writer than performer, as her own songs were rather good.  The guest soloists did well, especially the unusual harp on Lover Of My Soul; this song was a love song (original) with a hymn-like quality. Another original I Should Have Known included a Wycliffe Gordon trombone solo which sounded as if the player was talking through the instrument.  This was very skilled playing but I’m afraid I found it rather disconcerting – other tracks had trombone solos which were more pleasing, straightforward and even tender-sounding.
The tracks I did enjoy included Daydream, with its long effective piano solo; In A Mellow Tone, which was very mellow, particularly the Marcus Printup trumpet solo: Stardust, with just voice and bass; Bree’s Blues and You Must Believe In Spring, which was sung to guitar only.
The CD was issued on Sound On Purpose Records on May 26. See www.briannathomas.com
Ann Alex.

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