Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, July 04, 2015

CD Review: Brianna Thomas - You Must Believe In Love

Brianna Thomas (vocal); Allyn Johnson (piano); Yasushi Nakamura (bass); Ulysses Owens Jr. (drums). Also featuring on some tracks: Russell Malone (guitar) Marcus Printup (trumpet); Wycliffe Gordon, Nick Grinder (trombones); Tivon Penticott (tenor sax); Riza Printup (harp)
(Review by Ann Alex).
Ms Thomas, from Peoria, Ill. has sung with jazz greats such as Clark Terry and Wynton Marsalis both at home and abroad as well as being a jazz educator teaching in New York City schools. 
This is her debut CD.
A varied selection of songs - standards such as Bye Bye Blackbird and Duke Ellington’s Daydream; Stevie Wonder’s Never Dreamed You’d Leave In Summer; You Must Believe In Spring (Michel LeGrand); and 4 original songs, including the entertaining Bree’s Blues -  sung in a pleasing, ‘smokey’ toned voice accompanied by musicians who, needless to say, are well up to the job.

Personally, I found some of the tracks unappealing as the distinctive style of singing didn’t really grab me. Too much pointless scatting, too fussy and over-dramatic.  I’m even tempted to say that Ms Thomas is a better song writer than performer, as her own songs were rather good.  The guest soloists did well, especially the unusual harp on Lover Of My Soul; this song was a love song (original) with a hymn-like quality. Another original I Should Have Known included a Wycliffe Gordon trombone solo which sounded as if the player was talking through the instrument.  This was very skilled playing but I’m afraid I found it rather disconcerting – other tracks had trombone solos which were more pleasing, straightforward and even tender-sounding.
The tracks I did enjoy included Daydream, with its long effective piano solo; In A Mellow Tone, which was very mellow, particularly the Marcus Printup trumpet solo: Stardust, with just voice and bass; Bree’s Blues and You Must Believe In Spring, which was sung to guitar only.
The CD was issued on Sound On Purpose Records on May 26. See www.briannathomas.com
Ann Alex.

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