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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 10, 2015

Andy Hudson remembers Ken Gibson

In the early 70s, I managed to get some funds to try and “upskill” the Newcastle Big Band – some would say a vain hope. However we managed to secure a workshop weekend with Ken Gibson, Henry Lowther and Don Rendell which definitely worked. It also spawned a relationship with the three players who then occasionally guested with us.
Ken became a friend of the band and visited Newcastle to play with us including on the infamous album. Such were the vagaries of the MU rules at the time that they weren’t allowed to play unless they got “Rate” and so to avoid their embarrassment they appear  as Geno Binks (Ken), Ethel Wryhorn (Henry) and Dene. N. Droll (Don) on the Album – all quite apposite anagrams.
Ken, a scientist with perfect pitch and a sardonic wit made an excellent coach and also managed to slip a couple of his compositions into the Big Band’s catalogue. He joined the band on one of our excursions
His musical output in the last 4 decades has been prodigious, working as producer, arranger, composer, and engineer in Radio TV and for John Dankworth and Cleo Laine.
A great musical heritage.
RIP Ken.
Andy Hudson.
(Photo): Andy Hudson, Ken Gibson(Centre) and Sting at the Pau Jazz Festival.

3 comments :

algernonio said...

Is this the same Ken Gibson that originated in North Staffordshire (Stoke or Newcastle-under-Lyme)?

David Cain said...

I have to say that it is only today, 1st March 2019, that I found out that Ken had died in 2015. I probably knew him better than anyone else did in the late 1950's and 60's. We started Imperial College together hoping to become highly qualified mathematicians. In fact we both very quickly got involved in the college jazz scene. Ken already played trumpet and I took up the double bass. We played together in various jazz groups. The first was the Imperial College Big Band and then we started some small groups. The Jazz Consortium was the first and then we formed The Jazz Congress with Richard Rushton on saxes, Ken on trumpet, Dave Perrottet on valve trombone, me (Dave Cain) on bass, Clive Heath on piano and Al Higson on drums. Ken was already writing a lot and we played many of his compositions. Later the group reformed as a quintet with Ken on trumpet, George Khan on tenor, Clive Heath, me and a young Brian Spring on drums. Ken was also running his big band which rehearsed in the Balls Pond Road as an evening class so we had somewhere to practice! I was now working for the BBC as a studio manager and then in the Radiophonic Workshop. This gave me the chance to organise recording studios and we recorded both of the small groups and the big band. I still have the reel-to-reel recordings and have transferred them onto CD. We drifted apart at the end of the 60's. Ken was writing and working with the National Youth Big Band and I was deep into Radiophonics and writing music for radio drama. Then, in the early 70's, I went to write music for schools in Cumbria and we completely lost touch. I have many fond memories of our time together! We spent our last year in university living in a disused betting shop in Fulham Cross and crammed enough maths into our heads to get a degree. Ken had a motor bike and we went around a lot together, especially to the Six Bells in the King's Road to listen to the big names of the day, for example Humphrey Lyttelton and Wally Fawkes, and drink Watney's mild at a shilling a pint! Our best trip was in 1965 when we got into Ken's Austin A40 and drove all the way to Antibes where we had the amazing experience of seeing and hearing Coltrane play 'A Love Supreme'! Finally, back to the question at the start. Ken lived in Stoke-on-Trent and I lived in Newcastle-under-Lyme, maybe five or six miles apart, but didn't know each other until we met in university. We played together a bit in a local trad band in a jazz club in Burslem. I have lots and lots of pictures of our time together, he was a really good looking guy, a Potteries Elvis Presley, and the girls really fell for him, including of course the lovely Jenny! RIP Ken, I still have my memories of you and the music we played together..

Gordon Solomon said...

He was indeed an excellent coach. I remember discussing my various shortcomings on the trombone with him. He then took me off into a corner and proceeded to give me what I can only describe as a masterclass on trombone playing. We passed the horn to and fro between us, with him demonstrating various techniques then me trying to emulate him. He was very patient, a superb teacher. I learnt a lot.
Gordon Solomon

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