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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday October 13

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Hildy Harland’s Temperance Tea Party - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 1:00pm. £TBC.

Am Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Davie T & The Razzberries - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Wollo’s World - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Wolter Wierbos, John Pope, Emile Karlsen.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 27, 2015

Jazz Co-op @ The Globe: The Budtones - July 25

Fiona Finden (vocals, soprano sax); Stu Finden (tenor sax); Andy Porritt (keys); James Archer (bass); Eric Stutt (drums)
(Review by Ann Alex)
The band were straight in, no messing, with The Message, piano chops followed by his solo, solos all round, fours between drums and tenor, smart lively music, which we’ve come to expect from this talented band. And so it continued, music towards the boppy end of the jazz spectrum, playing to a smallish audience – where were you, you’ve all missed a treat?
Lots of choruses from Fiona, including Horace Silver’s Sister Sadie (‘Sister Sadie was a mean chick’), sung with a sense of fun; the mellow Just Friends; a very sensitively sung How Insensitive; and Pretty Eyes, which was based on a different song called Whispering. Then came International Women’s Day, original lyrics by Fiona, sung to a tune 4 on 6, with a drum solo; Bye Bye Blackbird; You Don’t Know What Love Is, sung with feeling.
Instrumentals without singing gave Fiona a chance to contribute her soprano sax skills instead; so we had Dizzy Gillespie’s Groovin’ High; This I Dig Of You, as taught to the band by local lad Dean Stockdale, besides, of course, the opening number. As I’ve said before in gig reviews, it’s difficult to say anything which hasn’t been said before about a band which is so reliably good to listen to.
Ann Alex 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance