Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, July 08, 2015

Mette Rasmussen and Chris Corsano @ the Lit and Phil - July 6.

Mette Rasmussen Saxophone & Chris Corsano Percussion
The Long Lonesome Go - Paul Taylor: Keyboards, Christian Alderson: Drums and Percussion, Jason Etherington: Bass
Posset – Joe Posset.
(Review by Steve H).
Jazz North East’s  ‘Women Making Music’  series was brought to a magnificent conclusion with this ninth and final gig of the season. In the atmospheric surroundings of the  Literary and Philosophical Society’s library the night swung from near disaster to absolute triumph. Rasmussen’s and Corsano’s lunchtime flight from Brussels to Newcastle had been cancelled meaning the earliest that they would arrive in Newcastle was 9:25 at night. However, rather than pull the gig, the JNE crew, at the drop of a hat or at least at the end of a phone, managed to improvise a treble bill to more than satisfy the good sized audience.
First up was Joe Posset who performed a short set of what could be described as improvised radio hammery.  A desk full of what appeared to be old style electronic devices (dictaphones, cassette players, strange boxes) were manipulated to produce a cacophony of strange interactive sounds. If you imagine 15 radios all playing concurrently but all playing at different frequencies you might get the picture.
Next up were local trio The Long Lonesome Go who produced a very fine set of improvised music - swirling keyboards, bass and percussion created a whirlpool of hypnotic and interesting sounds which at times reminded me of Miles Davis in his electronic period. Definitely a band I will be looking out for in the future.
Amazingly, the headliners'  flight landed on time and JNE’s own version of Lewis Hamilton (Bill Bream)  was despatched to chauffeur the duo to the Lit and Phil  as fast as speeding restrictions would allow him. Our Lewis may have to start looking over his shoulder because at 10:15  the triumvirate of driver and musicians had entered the building. Without time to hardly catch their breath but with time for a quick wardrobe change and set up Rasmusssen and Corsano  began to play what was to be the most wonderful finale to the Women Making Music concert series. Right from the off the dynamic duo gave as good as they got putting aside any tiredness and frustrations they must have been suffering from after their arduous journey. American Corsano produced fascinating sounds on percussion with the aid of all sorts of implements from his tool bag including a saw and an amazing homemade slide clarinet. If there is a more enjoyable sax player around at the moment than Norwegian based Danish sax player Rasmussen then I would like to hear them.  Her playing was creative ,exhilarating, exciting, fascinating and yet still sensitive. As a pairing the duo really managed to exploit the special acoustics that the library provides. After playing for almost an hour, despite their horrendous day, they were still able to indulge the audience with a much appreciated encore.   
It seems fitting at this point to thank Wes Stephenson, Paul Bream and the rest of Jazz North East for this marvellous initiative. Nine completely varied gigs showcasing the talent of contemporary female jazz performers in composition, arrangement and  performance utilizing a vast range of instruments including the 3 T’s Trombone, Trumpet and my new favourite jazz instrument  the Theremin. The size of the audiences for these gigs seems to a have been well above the average for this genre of music and I have seen many new faces in attendance. Hopefully everyone will have taken something from the experience and we can look forward to similar inspiring projects in the not too distant future.
Steve H.

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