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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 24, 2015

CD Review: Slowlight Quartet - Live at Manchester Jazz Festival

Paul Loraine (keyboards), Tom Quilliam (saxophone), Ian ‘Dodge’ Paterson (bass) & Jonathan Marriott (drums)
(Review by Russell)
Live at Manchester Jazz Festival is the Slowlight Quartet’s follow-up to the five track EP In Flight. The ‘live’ element is particularly welcome as the band is best heard performing in front of an audience. Composer-in-chief Paul Loraine wrote six of the seven tracks, the seventh is from the pen of saxophonist Tom Quilliam. The Slowlight sound is that of Paul Loraine’s tunes evolving from considered piano, saxophone or bass intros, developing the group sound.
Tom Quilliam’s scorching tenor emerges on several numbers – notably Walking Spanish, This Time and Shifting Ground – burning brightly, then dimmed, subservient to the group dynamic. This is expertly executed stuff; Ian Paterson’s bass playing the foundation, as is Jonathan Marriott (drums) whose driving sticks-work on Shifting Ground sustains a level of excitement appreciated by the 2014 Manchester Jazz Festival crowd.
Quilliam’s This Time hears the composer go through the gears; on this and the remaining six tracks, Paul Loraine’s reassuring presence keeps a tight reign on his band mates, thus retaining the Slowlight Quartet’s hugely impressive and instantly identifiable sound. 
Russell.
The Slowlight Quartet – Live at Manchester Jazz Festival (Jazz Sound Records Cat. No. JSR002) is available now.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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