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Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 24, 2015

CD Review: Slowlight Quartet - Live at Manchester Jazz Festival

Paul Loraine (keyboards), Tom Quilliam (saxophone), Ian ‘Dodge’ Paterson (bass) & Jonathan Marriott (drums)
(Review by Russell)
Live at Manchester Jazz Festival is the Slowlight Quartet’s follow-up to the five track EP In Flight. The ‘live’ element is particularly welcome as the band is best heard performing in front of an audience. Composer-in-chief Paul Loraine wrote six of the seven tracks, the seventh is from the pen of saxophonist Tom Quilliam. The Slowlight sound is that of Paul Loraine’s tunes evolving from considered piano, saxophone or bass intros, developing the group sound.
Tom Quilliam’s scorching tenor emerges on several numbers – notably Walking Spanish, This Time and Shifting Ground – burning brightly, then dimmed, subservient to the group dynamic. This is expertly executed stuff; Ian Paterson’s bass playing the foundation, as is Jonathan Marriott (drums) whose driving sticks-work on Shifting Ground sustains a level of excitement appreciated by the 2014 Manchester Jazz Festival crowd.
Quilliam’s This Time hears the composer go through the gears; on this and the remaining six tracks, Paul Loraine’s reassuring presence keeps a tight reign on his band mates, thus retaining the Slowlight Quartet’s hugely impressive and instantly identifiable sound. 
Russell.
The Slowlight Quartet – Live at Manchester Jazz Festival (Jazz Sound Records Cat. No. JSR002) is available now.

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