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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 22, 2014

Vasilis Xenopoulos with the Paul Edis Trio @ Opus 4 Jazz Club. November 21

Vasilis Xenopoulos (tenor saxophone), Paul Edis (piano), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell).
Vasilis Xenopoulos was taking no chances. On his last visit to the Traveller’s Rest in Darlington he made it in the nick of time (seven hours on the M1).This time, London-Darlington by train appeared to be a better bet. Vasi X (typing Xenopoulos a number of times could result in a case of rsi) arrived in good time (3:30pm!) and took time out to check-out Darlington town centre (TK Maxx a major attraction).
The Traveller’s Rest is a comfortable roadhouse pub in Cockerton on the outskirts of town. The Ferryhill Brewery a guest at the bar, talk of jazz, festivals, birthdays, a lost wallet, a pleasant way to spend a half hour or so waiting for Vasi and co. to complete their soundcheck in the upstairs room. A queue formed long before the doors opened, winding its way down the stairs. A queue at a jazz gig!!! The place was packed, beer flowed, jazz deity looked down from the walls – Dizzy, Lady Day, Tubbs, Zoot et al – ready to commune with the Greek God of Xenopoulos.
Clifford Brown, Lee Morgan, Bobby Timmons. Then the Great American Songbook. Vasi X knows his stuff and mixes it up to great effect. A bop workout, a ballad, waltz tunes, an impromptu request – nothing gets by him. Tiny Capers opened the show with Vasi in spectacular form. His solo didn’t elicit mere applause. It was greeted with full-throated cheers the like of which aren’t heard at your regular jazz gig. Vasi shared the stand with long-time friend Paul Edis. The acclaimed north east-based pianist played a blinder (what’s new?) and is a headline attraction in his own right. Superb playing; the anticipating accompanist, a razor sharp ear to the main man’s tenor inventions and solo flights par excellence. Talking of accomplished soloists…Andy Champion was on the gig. As rhythm sections go, the phrase ‘first call’ springs to mind. Working alongside Adam Sinclair, they constituted the dream team. Champion as accompanist was as good as it gets – ‘on-the-money’ playing, an abundance of technique held in check. And then, stepping up to solo – if there is a better bass player in the UK Bebop Spoken Here needs to know. The ‘sartorially elegant’ Adam Sinclair (he likes to wear a tie) is the best in the business – if there is a better drummer Bebop Spoken Here needs to know!
Vasi mined the Blue Note catalogue. Lee Morgan’s Cesora (from the Cornbread album) a gem, Champion broke a string and played on. Our tenor man took a request (affording Champion time to re-string) and in doing so re-examined Summertime (a familiar tune, a new perspective). A steaming Dat Dere had one thinking it couldn’t get any better. Opus 4 Jazz Club patrons were having a ball. Their cheering had to be heard to be believed. No polite applause for them, this was 52nd Street, Darlo-style!
The interval; bar staff run off their feet, chatter, chatter, Guitarist Tom Stephenson (soon to further his studies with Tommy Smith and co.) was in the house and was knocked-out by the first set. He wasn’t alone! Vasi and Edis had their respective latest CDs available at the door (both come highly recommended), made themselves available to chat with the Opus 4 regulars and the second set couldn’t possibly match the first, could it?
Second set. Groove Merchant (it’s on Vasi’s Wind Machine album) upped the stakes. The standard impossibly high, the excitement levels at fever pitch, your reviewer decided the listening experience was everything (pen and note pad lay dormant). Sit back and enjoy, you only live once. Manteca would challenge Adam Sinclair, so said Vasi. Oh, yeah? It didn’t phase him one little bit. Scorching it was, Sinclair had it down. More Cheers. Fats Waller’s Jitterbug Waltz, You Must Believe in Spring More cheering, people on their feet, a cry of Bravo!  If you think this sounds like it was a canny gig, you’re right. The good news is they’re going to do it all again tomorrow night at the Black Bull in Blaydon. If you love listening to your old Blue Note albums, if you love the GASbook, if you know fantastic, swinging tenor playing when you hear it, then this is your chance. No ifs, buts or maybees. If you are a jazz fan, no excuses, get to the Black Bull, Sunday, 8:00pm. The place should be full to capacity. Get there early, they’re likely to be queuing round the block.           
Russell.                       

        


             

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance