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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 02, 2014

Clark Tracey Quintet @ The Globe, Newcastle, November 1

Clark Tracey (dms); Chris Maddock (alt/ten); Henry Amburg Jennings (tpt/flg); Harry Bolt (pno); Daniel Casimir (bs).
(Review by Lance/ photo courtesy of Ken Drew ).
This first major gig by the Jazz Co-op was a major coup for the organisers. We've got a Jazz Club!
The lift installed and operational, the table and chairs set out and occupied, drinks served, lights lowered, and strategically draped curtains to soften the somewhat garish colour scheme, the scene was set. Not surprisingly there were several drummers in the audience and so there should be given that we were in the presence of one of the country's finest. Steve Crocker of NORVAL drove up from Leeds (and won a bottle in the raffle) begging the question as to why those members of the North East jazz hierarchy who live somewhat closer weren't!
However, that was a question for another day for now it was time for the Clark Tracey Quintet, smartly suited and neck-tied, to roll.
And roll they did in the time honoured tradition of bands such as the Jazz Messengers; Clifford Brown/Max Roach and those treasured Blue Note albums so beloved of so many (myself included).
Maddock, Casimir, Bolt emerged during Tracey's tenure as a tutor at Birmingham Conservertoire whilst Amburg Jennings has been active on the London scene practically since he was a babe in arms!
Clark Terry's A Pint of Bitter - written originally for Tubby Hayes - gave a foretaste of what was to follow. No instantly forgettable originals, but known, albeit not hackneyed, tunes from the masters. Cedar Walton's Ojos De Rojo (Red Eyes) a typical example.
Despite their youth, the soloists have a mature edge to their choruses. Not the bull in a china shop approach favoured by so many players rather a probing, tentative, feeling out of the tune, searching, absorbing, allowing the tension to build until, suddenly, the air is full of dancing arpeggios, stabbing chords, percussive punctuations, bass notes from the cellar, saxophone harmonics reaching for the moon, trumpet on fire.
This isn't The Globe on Railway Street - it's The World on 'Trane Street!
Moments Notice, by the aforementioned "Trane" had the drummers' mouths hanging open (and those of the sax, trumpet, keys and bass players too) as the leader rubber stamped his credentials as numero uno.
Time to relax with a sumptuous ballad featuring Maddock - I Thought About You. Delicious! The set concluded with Cannonball's The Sticks
The room was quite full and I wondered how many more could be slotted in and just how viable such a small space is.
However, tonight it's musical notes not banknotes that are uppermost in my mind!
An ethereal opener - Twilight - was followed by the only "warhorse" of the evening, Bobby Timmons' Moanin'. I'm not moaning though, I never tire of hearing it and Tracey was at his most Blakey-like which to me is tops. Trumpet evoking the spirit of Hubbard/Morgan, tenor in Mobley mode, keys like Kenny Drew (not to be confused with our KD!) bass as cool a dude as Chambers or Brown and Le Tout Ensemble magique!
Amburg Jennings slowed things down with a beautiful rendition of We'll Be Together Again and the show culminated with Jimmy Deuchar's Suddenly Last Tuesday
It had been my intention to stay for only one set and then nip over to Pink Lane for James and Ian at the Caff but this was just impossible to leave!
Sorry guys.
Many of the pieces played were from the band's new album - Meantime - which will be reviewed here shortly, or rather in however long it takes to play it a million times!
Lance.
PS: Only negative aspect of the evening was the strange bar pricing system - 3 bottles of ale and 3 different prices!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance