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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 26, 2014

Vinyl Review: Nucleus with Leon Thomas – Live 1970

Leon Thomas (vocals), Ian Carr (trumpet & flugelhorn), Karl Jenkins (oboe & piano), Brian Smith (soprano & tenor saxophones, flute), Chris Spedding (guitar), Jeff Clyne (bass) & John Marshall (drums.)
(Review by Russell).
June 20 1970. The Montreux Jazz Festival. Forty fours years later we have the official release of Nucleus recorded live at one of Europe’s premier summer jazz festivals with American vocalist Leon Thomas. Gearbox Records’ lovingly packaged vinyl recording comes as a gatefold double album with a free download code enclosed for the avid fan.
Ian Carr’s Nucleus represented the UK at the festival and their collaboration with Leon Thomas was nurtured days earlier during a two week residency at Ronnie Scott’s. This album documents one aspect of a turbulent period in cultural/political history. Coltrane was dead, Miles set about capturing the zeitgeist, Leon Thomas sought an alternative to Vietnam and the British jazz-rockers were keen to be in on it all. The days of the Emcee 5 and Don Rendell seemed long ago as Ian Carr ventured into new territory with Nucleus. Miles Davis’ electric period – In a Silent Way, Bitches Brew, On the Corner – signalled a parting of the ways for many of his most ardent fans from the 50s and 60s. One fan, Ian Carr, went with him on the journey.
Much of the material on Live 1970 is reworked from Leon Thomas’ earlier recordings as a leader and with Pharoah Sanders. Thomas’ vocal style is an amalgam of American scat and Alpine yodelling (apposite given the location!). The band sound is that of a Coltrane vibe (Ascension, A Love Supreme) shifting gear to encompass the angry protestations of a burgeoning global movement to a committed take on the blues. The first of four sides is a one-track affair (all 18 minutes, 54 seconds); The Creator Has a Master Plan is Thomas’ jointly composed piece with Sanders (John McLaughlin and Carlos Santana were to mine a similar seam with Love, Devotion, Surrender).The British sextet on the recording are up to the mark as they lay down the groove; bassist Jeff Clyne and drummer  John Marshall perform admirably throughout although at times the sound quality doesn’t do Clyne any favours. Karl Jenkins’ oboe features on Echoes (the first of two tracks on side two) and a contrasting contribution is heard from Carr’s flugelhorn. In stark contrast Thomas’ Damn ‘Nam (Ain’t Going to Vietnam) is one angry piece of music. Thomas’ vocal defies the US foreign policy of the times; if Cassius Clay could go to prison, so would he. His stance is reaffirmed by a raging Chris Spedding. Thomas’ One hears the vocalist scatting full-on (a no-holds-barred performance, perhaps an acquired taste, the Montreux crowd adoring of it) and Brian Smith’s soprano work catches the ear. Chains of Love (a hit in the fifties for Big Joe Turner) is the atypical cut; excellent, no nonsense blues singing with a fine r ‘n’ b backing band!
Side four is taken up with The Journey (12 minutes, 5 seconds). This is a reprise of Leon Thomas’ spiritual compositions of the time. Live 1970 is essential listening for those who heard Nucleus first time round and indeed for the student of the genre.
Russell.
Nucleus with Leon Thomas – Live 1970 (Gearbox Records GB1529) is available now. 

1 comment :

Harry Monty said...

Hi Lance,

This record does take me back. I saw Nucleus perform both separately and then with Leon Thomas at Montreux in 1970 and it certainly was terrific being there in person. Nucleus won the top award at the Montreux Jazz Festival that year which I believe was a trip to the Newport Jazz Festival.

Best regards

Harry Monty

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance