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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 04, 2014

Bluebut @ The Bridge. November 2

Chris Janka guitar,  Mark Holub drums, Pamelia Kurstin theremin
 (Review by Steve H.)
What a week that was for jazz in Newcastle. One only need glance down the gig reviews on this blog to see just how many and how varied the programme was. Can any city of this size ever have boasted such a veritable feast of quality music? Not surprisingly not everyone can attend every gig and the audience does seem to divide along somewhat factional lines.
The final gig of an entertaining and dare I say it exhaustive week provided the most original offering of all – Bluebut. This is a trio comprising of guitarist Chris Janka, drummer Mark Holub of Led Bib fame and Pamelia Kurstin on theremin. I have seen countless configurations of jazz ensembles over the years from soloists to big bands but none of them has ever featured a theremin. This omission was put quite magnificently to rights on Sunday night at The Bridge. This gig had been described as thrash jazz, improv rock meeting rampaging robots with Captain Beefheart and Jimi Hendrix additions. In fact I didn’t find it that crazy, the hard drumming and throbbing guitar were ever present but amongst all of it I could hear fragments of all the previous gigs I’d attended during the week. Quite easily the highlight of the week was the virtuoso playing of the ever so jolly Kurstin; she was literally playing thin air ! Someone in the audience suggested that Pamelia appeared to be playing air guitar but to me it seemed more like she was sewing an invisible coat as she plucked delicately in the vortex between the theremin and her fingers. The sounds elicited were not as one imagines emanating from a horror or sci-fi movie but were fascinating genuine musical solos. I’ve heard somewhat irreverently that Kurstin is the finest  improvising theremin player in the world. Well if there is a better one around I certainly want to hear them – simply mesmerising.    
Steve.       

2 comments :

Anonymous said...

Unfortunately, I couldn't get to this in person (as I was visiting planet Earth at the time) but can I congratulate the BSH reviewer for magnificantly keeping up the pretence that the 'theremin' actually exists. I had read the various previews with interest and was intrigued by the mention of this mysterious instrument that was never explained or described. So I had my suspicions but only now do I realise that it is of course a McGuffin - brilliant!
It was clever to mix in a distracting description of his Halloween night in the Bigg Market ... 'thrash jazz, improv rock meeting rampaging robots' (personally I'd seen some rampaging robots, a couple of Captain Beefhearts and numerous zombies getting into taxis on Osborne Road to head down town)...with the actual gig.
The analogy to playing air guitar is a good one as naturally everyone can relate to that but the idea that Kurstin could have 'plucked delicately at a vortex' is a complete scientific impossibility. This defies the laws of Quantum Physics as if she had gone near a vortex she would have immediately been sucked in, pulled through a wormhole in the cosmos and dumped in a parallel universe probably with One Direction playing constantly on repeat. Also the idea that she could have worked as Harry Potter's tailor is frankly unbelievable, as everybody knows his invisibility cloak does not really exist.
However the clincher is the photo, which is a really nice touch. But just like the photo of the faked moon landing where the flag throwing a shadow is the giveaway, it's the same with this one. Although it appears to look quite convincing and the 'instrument' seems real enough with a black box and a metal loop, if you look at the reflection in the window at the back of the stage - there are No People! Now I know this is not a total impossibility at a Sunday night session but there are the heads of some audience members in the shot.
So a terrific jazz conspiracy, congratulations to all concerned. When is the band coming back? I want to be 'there'.
JC
This is getting worrying...I even had to prove I'm not a robot to send this comment.

stevebfc said...

What a honour JC to inspire such a creative response if there's been a better comment on this blog please point me too it. By the way the big headed beardy bloke in the front is me proving I woz there.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance