Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Sat 20: Tyne Valley Big Band @ Tynedale Beer Festival, Corbridge. 5:00-6:00pm.
Sat 20: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 20: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 20: New Century Ragtime Orchestra @ Trinity Church, Gosforth, Newcastle. 7:30pm. £20.00. NCRO w. guests Dean Stockdale & Nick Ward.

Sun 21: From Lagos to Longbenton: Unity in the Community @ Sunderland Minster. From 1:30pm. Free. A multi-bill Unity in the Community event, inc. From Lagos to Longbenton.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 21: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio w. Graham Hardy.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 22: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, November 18, 2014

Scots recreate two classics – with strings attached

(Preview by Rob Adams)
Scottish saxophonist Paul Towndrow and trumpeter Ryan Quigley will recreate two historic recordings in concert on Thursday, November 27 when they perform the music from Charlie Parker with Strings and Clifford Brown with Strings at Adelaide’s Auditorium in Glasgow.
Towndrow and Quigley will take the roles of Parker and Brown respectively, accompanied by an eleven piece chamber orchestra and a jazz rhythm section, in a concert that marks the sixty-fifth anniversary of Parker’s first recording session with strings under the guidance of legendary record producer and Verve Records founder Norman Granz on November 30, 1949.
Parker had wanted to record with strings since his friend and fellow bebop pioneer, Dizzy Gillespie’s 1946 recording of four Jerome Kern songs in a similar setting that were subsequently blocked from release by Kern’s estate, and the success of Parker’s first six-track ‘with strings’ album led to another album the following year.
By the time Clifford Brown with Strings followed in 1955, the trumpeter was able to benefit from advances in studio technology. The resulting recording, featuring Brown’s regular touring rhythm section of Richie Powell (piano), George Morrow (bass), Max Roach (drums), augmented by guitarist Barry Galbraith, made the six violins, two violas and cello string ensemble sound larger than its actual size.
The Glasgow concert aims to replicate this enhanced sound and follows Towndrow’s success this summer with his Commonwealth Games project for two big bands, Pro-Am, and recent performances with his organ trio, with the ground-breaking, award-winning horn quartet Brass Jaw and with the Scottish National Jazz Orchestra.
Quigley, who is soon to release his second album as a leader on Whirlwind Recordings, has enhanced his standing as one of Europe’s foremost trumpeters with appearances in Holland’s Metropole Orkest as well as sessions and tours with Quincy Jones, the BBC Big Band, Michel Legrand, Tim Garland, Laurence Cottle, and Vince Mendoza.
“It’s really exciting to be following in such illustrious footsteps as these iconic musicians,” says Towndrow. “It’s also quite daunting but the music they created in these historic sessions and the benchmarks they established are also very inspiring. It’ll be a thrill to stand in front of an orchestra and put our own stamp on these classic tracks.”
Rob Adams.

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