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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (£1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Tuesday, November 18, 2014

Scots recreate two classics – with strings attached

(Preview by Rob Adams)
Scottish saxophonist Paul Towndrow and trumpeter Ryan Quigley will recreate two historic recordings in concert on Thursday, November 27 when they perform the music from Charlie Parker with Strings and Clifford Brown with Strings at Adelaide’s Auditorium in Glasgow.
Towndrow and Quigley will take the roles of Parker and Brown respectively, accompanied by an eleven piece chamber orchestra and a jazz rhythm section, in a concert that marks the sixty-fifth anniversary of Parker’s first recording session with strings under the guidance of legendary record producer and Verve Records founder Norman Granz on November 30, 1949.
Parker had wanted to record with strings since his friend and fellow bebop pioneer, Dizzy Gillespie’s 1946 recording of four Jerome Kern songs in a similar setting that were subsequently blocked from release by Kern’s estate, and the success of Parker’s first six-track ‘with strings’ album led to another album the following year.
By the time Clifford Brown with Strings followed in 1955, the trumpeter was able to benefit from advances in studio technology. The resulting recording, featuring Brown’s regular touring rhythm section of Richie Powell (piano), George Morrow (bass), Max Roach (drums), augmented by guitarist Barry Galbraith, made the six violins, two violas and cello string ensemble sound larger than its actual size.
The Glasgow concert aims to replicate this enhanced sound and follows Towndrow’s success this summer with his Commonwealth Games project for two big bands, Pro-Am, and recent performances with his organ trio, with the ground-breaking, award-winning horn quartet Brass Jaw and with the Scottish National Jazz Orchestra.
Quigley, who is soon to release his second album as a leader on Whirlwind Recordings, has enhanced his standing as one of Europe’s foremost trumpeters with appearances in Holland’s Metropole Orkest as well as sessions and tours with Quincy Jones, the BBC Big Band, Michel Legrand, Tim Garland, Laurence Cottle, and Vince Mendoza.
“It’s really exciting to be following in such illustrious footsteps as these iconic musicians,” says Towndrow. “It’s also quite daunting but the music they created in these historic sessions and the benchmarks they established are also very inspiring. It’ll be a thrill to stand in front of an orchestra and put our own stamp on these classic tracks.”
Rob Adams.

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