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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Sunday, November 23, 2014

Jazz Coop At The Globe: Folk Meets Jazz: Saturday Nov 22

Landermason : Fiona Lander ( vocals, keys, saxes, clarinet, whistles, even a shakey egg);
Paul Mason (vocals, guitar).
(Review by Ann Alex).
This event was something of an adventurous experiment to combine jazz with folk music, and it worked folks!  A double header with Landermason playing the first set, with their blend of traditional and contemporary folk, jazz, and other styles, such as a touch of ska on the guitar.  
Fiona grew up listening to classical music and jazz whilst Paul hails from the glam rock bands of the 1980’s.  The duo gave a hugely enjoyable set to a sizeable and appreciative audience.  
When The Boat Comes In had a skilled jazzy piano and a folksy ending – sounds odd in writing but it works well musically.  Then came Take Five on guitar and whistle; a local song The Shoemaker, followed by Words Unsaid, with good jazz piano and a clarinet solo in true jazz tradition.  Other numbers included In The Wee Small Hours Of The Morning; Working Man Blues (Paul took the vocals, accompanied by clarinet and shakey egg); a Fiona original, The Mirror, a bebop style song with a bit of scat; a haunting song, Somalia.  And all most splendidly rounded off with a fast folksy instrumental, The Bellingham Stomp.  The band hails from Bellingham, so go there to see more of them. 
Andy May and Ian Stephenson: Andy May (keys, Northumbrian pipes); Ian Stephenson (guitar, double bass, melodeon).
These two are usually seen as a part of larger bands but they’ve been playing on and off as a duo for a number of years.  They too did a very enjoyable set with both folk and jazz elements and their presentation was closer to the way that folk musicians perform in folk clubs, with quite a bit of friendly self-deprecating chat.  The tunes (no singing) were played in pairs. They included; a lively Swedish tune; an original by Andy; then Arathusa on pipes and guitar, which is a version of a morris dance tune; Trip To Scarborough; Helsinki, with Ian on a very pleasing melodeon; straight folk tunes such as Kissed her Under The Coverlet (yes, the title is meant to be rude); and Show Us The Way To Wallington, the last 2 both in 9/8 time. The double bass and sometimes the guitar added a jazz feel to the folk, and Andy plays a mean jazz piano with a cool jazz feel, as shown on tunes such as Coming Home. These two are both highly skilled musicians and I think they could well extend the jazz element further.  And to anyone who hasn’t heard the wonderful tender sound of Northumbrian pipes - nothing like Scottish bagpipes – hear them soon.
To round off a great night, both bands joined up to play a rousing Stranger On The Shore.
The jazz coop is hoping to organise monthly Jazz/folk events, not necessarily gigs as such, but maybe some kind of jam.  Ideas please, from readers of BSH.
Ann Alex

2 comments :

Debra M on f/b. said...

Great review Ann.

Lance said...

Mention of the pipes reminds me of the story about two Scotsmen playing the Highland Pipes. Midway through, one of them put down his pipes and picked up a set of Northumbrian Pipes much to the annoyance of the other piper who said "Will ye stop your Tickelling Jock?"

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