Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,061 (and counting) posts since we started blogging 18 years ago. 925 of them this year alone and, so far this month (Oct. 30) 104.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 03: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest tba
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.

Fri 06: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 1/3.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Jazz Night: Bridget Metcalfe @ Saltburn House Hotel. From 6:00pm. Tickets: £40.00 (inc. a two-course meal & glass of Prosecco). Tel: 01287 658977.

Sunday, November 30, 2014

Diachronix at the Jazz Cafe, November 29

Gabrielle Heller (vocals, electronics, percussion); Steve Glendinning (guitar)
(Review by Ann Alex/photo by Mike Tilley).
There was a full house for this unusual gig from Gabi and Steve, including people from Germany and Brazil.  The material covered jazz standards, Gabi originals in cabaret style, a bit of blues, and numbers written by Sting, Billie Holiday, and others.  The general theme was ‘The City’, well illustrated by adventurous use of electronics, with sirens and people rushing about.  And the percussion made an effective appearance even in the first song, about not being able to get out of the city, when Gabi made a defiant ‘chock, chock’ sound by hitting a bar with a stick.  (What is this called,  BSH readers?)   Steve showed his considerable talents throughout the whole set, many long solos, up and down scales, chords galore, guitar wizardry, but always fitting to the song being sung.
We had Gabi’s song Wallflower; then a song about early life before cities, with made-up language which sounded like ‘skee ya dum day’, very imaginative; Sting’s Hole In My Life with a scat refrain; a softer-voiced Angel Eyes with an exquisite guitar solo; Holiday’s Tell Me More And More And Then Some in an upbeat version; songs dedicated to the boat people, with an African style introduction, Kurt Weill’s My Ship, merged with a Latin bossa novarish song Little Boat, and to round off the first set, a blues, Sail On.
The second set opened with a song by Queen Dead On Time, with another good guitar solo to suit travelling in a city; then Gabi read excerpts from a poem Electricity (I’m not sure if this works at a jazz gig); a lovely version of the mythical Nature Boy followed; then came I Will Say Goodbye; True Love, written by Gabi and her husband; Tom Waits’ song about putting on a performance, with interesting use of a walkie talkie microphone. Kurt Weill’s Speak Low was the last song I heard properly as the Metro called me home, so I left to the sounds of Billie Holiday’s Don’t Explain.
I enjoyed this gig immensely, but I wonder if the sound levels needed some adjustment as Gabi’s voice was very loud on some songs, giving a very in-your-face effect.  Just a thought and I don’t know if other people noticed this.
Ann Alex

1 comment :

Lance said...

The "Chock Chock" was either claves or castanets or a combination of both!
And yes, particularly down front the sound level did seem high.

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