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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 30, 2014

Diachronix at the Jazz Cafe, November 29

Gabrielle Heller (vocals, electronics, percussion); Steve Glendinning (guitar)
(Review by Ann Alex/photo by Mike Tilley).
There was a full house for this unusual gig from Gabi and Steve, including people from Germany and Brazil.  The material covered jazz standards, Gabi originals in cabaret style, a bit of blues, and numbers written by Sting, Billie Holiday, and others.  The general theme was ‘The City’, well illustrated by adventurous use of electronics, with sirens and people rushing about.  And the percussion made an effective appearance even in the first song, about not being able to get out of the city, when Gabi made a defiant ‘chock, chock’ sound by hitting a bar with a stick.  (What is this called,  BSH readers?)   Steve showed his considerable talents throughout the whole set, many long solos, up and down scales, chords galore, guitar wizardry, but always fitting to the song being sung.
We had Gabi’s song Wallflower; then a song about early life before cities, with made-up language which sounded like ‘skee ya dum day’, very imaginative; Sting’s Hole In My Life with a scat refrain; a softer-voiced Angel Eyes with an exquisite guitar solo; Holiday’s Tell Me More And More And Then Some in an upbeat version; songs dedicated to the boat people, with an African style introduction, Kurt Weill’s My Ship, merged with a Latin bossa novarish song Little Boat, and to round off the first set, a blues, Sail On.
The second set opened with a song by Queen Dead On Time, with another good guitar solo to suit travelling in a city; then Gabi read excerpts from a poem Electricity (I’m not sure if this works at a jazz gig); a lovely version of the mythical Nature Boy followed; then came I Will Say Goodbye; True Love, written by Gabi and her husband; Tom Waits’ song about putting on a performance, with interesting use of a walkie talkie microphone. Kurt Weill’s Speak Low was the last song I heard properly as the Metro called me home, so I left to the sounds of Billie Holiday’s Don’t Explain.
I enjoyed this gig immensely, but I wonder if the sound levels needed some adjustment as Gabi’s voice was very loud on some songs, giving a very in-your-face effect.  Just a thought and I don’t know if other people noticed this.
Ann Alex

1 comment :

Lance said...

The "Chock Chock" was either claves or castanets or a combination of both!
And yes, particularly down front the sound level did seem high.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance