Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18878 (and counting) posts since we started blogging 18 years ago. 742 of them this year alone and, so far this month (Sept. 4.) 21.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sat 05: Alligator Gumbo @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 05: Tees Bay Swing Band @ Hartlepool Art Gallery. 4:00-6:15pm. £6.00. Concert performance. Tickets available from the venue - tel: 01429 869706.
Sat 05: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 06: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 06: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Ian Bosworth (guitar); Richie Emmerson (tenor sax); Jeremy McMurray (keyboards); Adrian Beadnell (bass); Mark Hawkins (drums) & guest Mick Donnelly (tenor sax).
Sun 06: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 06: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 06: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 06: Nils Kavanagh Trio @ The Globe, Newcastle. 8:00pm.

Mon 07: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 07: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 08: Seijiro Murayama & Jean-Luc Guionnet @ Star & Shadow Cinema, Warwick St., Newcastle, NE2 1BB. 7.00pm. £10.00 (advance); £12.00 (on door); £.15.00 (solidarity).
Tue 08: SH#RP Collective @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.
Tue 08: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 09: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: 58 Jazz Collective @ Hartlepool Cricket Club. 7:30pm. £7.00.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 09: NONUNONU @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE. Excellent trio.

Thu 10: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 10: Jacenaite All Crew @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 10: Emma Rawicz INKYRA @ Glasshouse, Gateshead. 8:00pm. £22.30. Sage Two. Line-up: Emma Rawicz (sax); Scottie Thompson (piano, keyboards, synth); David Preston (guitar); Kevin Glasgow (bass guitar); Jack Thomas (drums).

Fri 11: Esther Bennett @ Bishop Auckland Methodist Church. 1:00pm. £10.00. Esther Bennett (vocals); Rick Laughlin (piano); Mick Shoulder (double bass).
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Ray Stubbs’ R&B All Stars @ The White Room, Stanley. 7:45pm. £14.09 (inc. bf).

Sunday, November 30, 2014

Diachronix at the Jazz Cafe, November 29

Gabrielle Heller (vocals, electronics, percussion); Steve Glendinning (guitar)
(Review by Ann Alex/photo by Mike Tilley).
There was a full house for this unusual gig from Gabi and Steve, including people from Germany and Brazil.  The material covered jazz standards, Gabi originals in cabaret style, a bit of blues, and numbers written by Sting, Billie Holiday, and others.  The general theme was ‘The City’, well illustrated by adventurous use of electronics, with sirens and people rushing about.  And the percussion made an effective appearance even in the first song, about not being able to get out of the city, when Gabi made a defiant ‘chock, chock’ sound by hitting a bar with a stick.  (What is this called,  BSH readers?)   Steve showed his considerable talents throughout the whole set, many long solos, up and down scales, chords galore, guitar wizardry, but always fitting to the song being sung.
We had Gabi’s song Wallflower; then a song about early life before cities, with made-up language which sounded like ‘skee ya dum day’, very imaginative; Sting’s Hole In My Life with a scat refrain; a softer-voiced Angel Eyes with an exquisite guitar solo; Holiday’s Tell Me More And More And Then Some in an upbeat version; songs dedicated to the boat people, with an African style introduction, Kurt Weill’s My Ship, merged with a Latin bossa novarish song Little Boat, and to round off the first set, a blues, Sail On.
The second set opened with a song by Queen Dead On Time, with another good guitar solo to suit travelling in a city; then Gabi read excerpts from a poem Electricity (I’m not sure if this works at a jazz gig); a lovely version of the mythical Nature Boy followed; then came I Will Say Goodbye; True Love, written by Gabi and her husband; Tom Waits’ song about putting on a performance, with interesting use of a walkie talkie microphone. Kurt Weill’s Speak Low was the last song I heard properly as the Metro called me home, so I left to the sounds of Billie Holiday’s Don’t Explain.
I enjoyed this gig immensely, but I wonder if the sound levels needed some adjustment as Gabi’s voice was very loud on some songs, giving a very in-your-face effect.  Just a thought and I don’t know if other people noticed this.
Ann Alex

1 comment :

Lance said...

The "Chock Chock" was either claves or castanets or a combination of both!
And yes, particularly down front the sound level did seem high.

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