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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 16, 2014

Ruth Lambert & Dean Stockdale @ The Jazz Café. November 15

Ruth Lambert (vcl); Dean Stockdale (pno).
(Review by Russell/photo courtesy of Mike Tilley).
‘Have you met Ms Lambert? Mr Stockdale let me introduce you to Ruth Lambert. Ruth, this is Dean. Pleased to meet you’ Saturday night at the Jazz Café, Ruth Lambert, well established on the scene, met up with pianist Dean Stockdale for the first time to play a set of standards. Vocalist Lambert’s pad numbers a couple of hundred songs or so. The newly formed duo talked through a few tunes, scribbled down some favourites and they were ready to go to work.
Like Someone in Love, My Funny Valentine, What is This Thing Called Love? The duo worked well together from the off. Lambert’s distinctive phrasing demands the best of any accompanist and Stockdale was learning on the stand, quickly getting to grips with the vocalist’s magical timing and innate sense of swing. Ms Lambert sings the blues as well as anyone and would you believe it, Stockdale plays a mean piano blues? Lambert, Stockdale and Ms Bonnie Raitt’s Love Me Like a Man. It was good, real good. The Jazz Café attracts its share of chatter boxes and they were in the mood for some serious chat, chat, chat. Somewhere Over the Rainbow didn’t stop them. Oblivious they were. Perhaps a bottle of Geordie Jazz, the Jazz Café’s exclusive house beer, would miraculously make them stop and listen. No matter, other more discerning folk listened, knowing they were being treated to a GASbook masterclass.
Almost Like Being in Love, Gee Baby, Ain’t I Good to You? (Stockdale went to town on the blues) and Taking a Chance on Love (excellent stride piano) heard the duo at their best, albeit the latter number fell apart at the end. Who cares? For a first meeting this was a fantastic gig,  Autumn Leaves came as a request; Lambert poignantly referred to her friend, the late Paul Gamblin. The tune will, for Ms Lambert, forever be associated with the guitarist. An up tempo number – Come Fly with Me – floated us down to Peru where the air is rarefied (paraphrased!). Has Nelson Riddle’s arrangement ever been bettered?
Teach Me Tonight – the realisation that Lambert can sing this one in a duo and in front of a big band. Class. A dark rendition of Round Midnight (at about eleven) and to close, the upbeat ‘S Wonderful.  ‘S Wonderful indeed.    
If Lambert and Stockdale don’t do it again then I’m Frank Sinatra... Come fly with me, fly me to the…      
Russell.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance