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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, November 07, 2014

Paul Edis @ The Lit & Phil. November 7

(Review by Russell/photos by Jerry)
More seats were brought into the Loftus Room at the Lit & Phil, a sure sign that many people wanted to be at today’s concert. Pianist Paul Edis performed a solo programme consisting of eleven compositions (five of them written by Edis).
The first three tunes in a varied programme were by Edis; Pulse (the melody unfurling quietly), From Nothing to Nowhere and Not Like Me (typically Edis!). The Rodgers & Hart standard Bewitched, Bothered and Bewildered followed and instantly became the odds on favourite for this reviewer’s ‘Performance of the Year 2014’. Within minutes Rodgers & Hammerstein’s My Favourite Things topped it, then an unlikely contender – Percy Grainger’s English Country Garden – jockeyed for pole position! The playing couldn’t have been better. The audience loved it, one hour of sheer joy.
Distraction, Edis’ commentary on the iPhone generation’s nano-second concentration span, flitted from hardcore hammered pianism to brilliantly executed fleeting classical references, to walking, syncopated bass lines, by way of a swinging jazz piano trio. In the absence of bass and drums this was something else! Horace Silver’s Nica’s Dream and John Coltrane’s epic Giant Steps reinstated the standard; Edis explored both tunes without ever losing the melodic essence at the heart of them.
Bring Me Sunshine. Eric and Ernie’s signature tune (comp. Kent & Dee) brought a big smile to many a face. It swung. Good piano players can make anything swing. Dr Edis ended his ‘recital’ (we were in the Literary and Philosophical Society, after all) in the same we he started it, with a mellow original, Sunrise. Paul Edis can be heard later on tonight at the Jazz Café on Pink Lane in the company of Mick Shoulder (double bass) and drummer Adam Sinclair. First set 9:00pm, get there early to secure a seat.  
Russell. 

1 comment :

JC said...

This was an almost perfect concert. Starting from the pleasure of walking into the Lit and Phil; an oasis of calm in the chaos of whatever is being done to Central Station. A quick look in the library to be reassured that actual books still exist, a cup of tea and some (free) biscuits and then into a room that just had a grand piano and plenty of chairs. They were needed as there was a big crowd, which was great. In his review, Russell has described very well the artistry in the playing of Paul Edis but I was also struck by the craft in his composing and interpreting of tunes. He explained that From Nothing to Nowhere (one of my favourites from his solo album) was not, in fact, a musical version of one of Samuel Beckett's happier plays but was originally intended to be a bridge between two other pieces. In the end he liked it enough to have it stand on its own. He played his version of Giant Steps because he recognised it as 'a very good tune'. His reconstructions of old tunes whether of Victorian, music hall or stage musical origins are always just familiar enough to bring out a pleasurable smile of familiarity followed by the thrill of hearing them extended and explored. The concert ended with the audience grabbing their coats and hats and strolling happily along the Sunny Side of the Street.
The slight imperfection? The show was far too short.
JC

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