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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Friday, November 07, 2014

Paul Edis @ The Lit & Phil. November 7

(Review by Russell/photos by Jerry)
More seats were brought into the Loftus Room at the Lit & Phil, a sure sign that many people wanted to be at today’s concert. Pianist Paul Edis performed a solo programme consisting of eleven compositions (five of them written by Edis).
The first three tunes in a varied programme were by Edis; Pulse (the melody unfurling quietly), From Nothing to Nowhere and Not Like Me (typically Edis!). The Rodgers & Hart standard Bewitched, Bothered and Bewildered followed and instantly became the odds on favourite for this reviewer’s ‘Performance of the Year 2014’. Within minutes Rodgers & Hammerstein’s My Favourite Things topped it, then an unlikely contender – Percy Grainger’s English Country Garden – jockeyed for pole position! The playing couldn’t have been better. The audience loved it, one hour of sheer joy.
Distraction, Edis’ commentary on the iPhone generation’s nano-second concentration span, flitted from hardcore hammered pianism to brilliantly executed fleeting classical references, to walking, syncopated bass lines, by way of a swinging jazz piano trio. In the absence of bass and drums this was something else! Horace Silver’s Nica’s Dream and John Coltrane’s epic Giant Steps reinstated the standard; Edis explored both tunes without ever losing the melodic essence at the heart of them.
Bring Me Sunshine. Eric and Ernie’s signature tune (comp. Kent & Dee) brought a big smile to many a face. It swung. Good piano players can make anything swing. Dr Edis ended his ‘recital’ (we were in the Literary and Philosophical Society, after all) in the same we he started it, with a mellow original, Sunrise. Paul Edis can be heard later on tonight at the Jazz Café on Pink Lane in the company of Mick Shoulder (double bass) and drummer Adam Sinclair. First set 9:00pm, get there early to secure a seat.  
Russell. 

1 comment :

JC said...

This was an almost perfect concert. Starting from the pleasure of walking into the Lit and Phil; an oasis of calm in the chaos of whatever is being done to Central Station. A quick look in the library to be reassured that actual books still exist, a cup of tea and some (free) biscuits and then into a room that just had a grand piano and plenty of chairs. They were needed as there was a big crowd, which was great. In his review, Russell has described very well the artistry in the playing of Paul Edis but I was also struck by the craft in his composing and interpreting of tunes. He explained that From Nothing to Nowhere (one of my favourites from his solo album) was not, in fact, a musical version of one of Samuel Beckett's happier plays but was originally intended to be a bridge between two other pieces. In the end he liked it enough to have it stand on its own. He played his version of Giant Steps because he recognised it as 'a very good tune'. His reconstructions of old tunes whether of Victorian, music hall or stage musical origins are always just familiar enough to bring out a pleasurable smile of familiarity followed by the thrill of hearing them extended and explored. The concert ended with the audience grabbing their coats and hats and strolling happily along the Sunny Side of the Street.
The slight imperfection? The show was far too short.
JC

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