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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 07, 2014

Paul Edis @ The Lit & Phil. November 7

(Review by Russell/photos by Jerry)
More seats were brought into the Loftus Room at the Lit & Phil, a sure sign that many people wanted to be at today’s concert. Pianist Paul Edis performed a solo programme consisting of eleven compositions (five of them written by Edis).
The first three tunes in a varied programme were by Edis; Pulse (the melody unfurling quietly), From Nothing to Nowhere and Not Like Me (typically Edis!). The Rodgers & Hart standard Bewitched, Bothered and Bewildered followed and instantly became the odds on favourite for this reviewer’s ‘Performance of the Year 2014’. Within minutes Rodgers & Hammerstein’s My Favourite Things topped it, then an unlikely contender – Percy Grainger’s English Country Garden – jockeyed for pole position! The playing couldn’t have been better. The audience loved it, one hour of sheer joy.
Distraction, Edis’ commentary on the iPhone generation’s nano-second concentration span, flitted from hardcore hammered pianism to brilliantly executed fleeting classical references, to walking, syncopated bass lines, by way of a swinging jazz piano trio. In the absence of bass and drums this was something else! Horace Silver’s Nica’s Dream and John Coltrane’s epic Giant Steps reinstated the standard; Edis explored both tunes without ever losing the melodic essence at the heart of them.
Bring Me Sunshine. Eric and Ernie’s signature tune (comp. Kent & Dee) brought a big smile to many a face. It swung. Good piano players can make anything swing. Dr Edis ended his ‘recital’ (we were in the Literary and Philosophical Society, after all) in the same we he started it, with a mellow original, Sunrise. Paul Edis can be heard later on tonight at the Jazz Café on Pink Lane in the company of Mick Shoulder (double bass) and drummer Adam Sinclair. First set 9:00pm, get there early to secure a seat.  
Russell. 

1 comment :

  1. This was an almost perfect concert. Starting from the pleasure of walking into the Lit and Phil; an oasis of calm in the chaos of whatever is being done to Central Station. A quick look in the library to be reassured that actual books still exist, a cup of tea and some (free) biscuits and then into a room that just had a grand piano and plenty of chairs. They were needed as there was a big crowd, which was great. In his review, Russell has described very well the artistry in the playing of Paul Edis but I was also struck by the craft in his composing and interpreting of tunes. He explained that From Nothing to Nowhere (one of my favourites from his solo album) was not, in fact, a musical version of one of Samuel Beckett's happier plays but was originally intended to be a bridge between two other pieces. In the end he liked it enough to have it stand on its own. He played his version of Giant Steps because he recognised it as 'a very good tune'. His reconstructions of old tunes whether of Victorian, music hall or stage musical origins are always just familiar enough to bring out a pleasurable smile of familiarity followed by the thrill of hearing them extended and explored. The concert ended with the audience grabbing their coats and hats and strolling happily along the Sunny Side of the Street.
    The slight imperfection? The show was far too short.
    JC

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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