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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17972 (and counting) posts since we started blogging 17 years ago. 293 of them this year alone and, so far, 49 this month (April 22).

From This Moment On ...

April 2025.

Thu 24: Mary Coughlan @ The Glasshouse, Gateshead. 8:00pm. £33.80. Blues, jazz etc.
Thu 24: Darlington Big Band @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 25: Vasilis Xenopoulos & Paul Edis @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Duo performance.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Andrea Vicari Trio @ The Gala, Durham. 1:00pm. £8.00. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums).
Fri 25: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 25: Red Kites Jazz @ Land of Oak & Iron, Winlaton Mill. 6:00-9:00pm. Free.
Fri 25: Vasilis Xenopoulos & Paul Edis @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Fri 25: Struggle Buggy @ The White Room, Stanley. 7:45pm. Rhythm & blues.
Fri 25: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £20.30., £18.00. All-star big band.
Fri 25: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums). An Opus 4 Jazz Club event.

Sat 26: Durham Alumni Big Band @ Number One Bar, Darlington. 12 noon. Free (donations).
Sat 26: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 26: Vasilis Xenopoulos & Paul Edis @ Elvet Methodist Church, Durham. 7:30pm. Tickets: £12.00. + bf. Duo performance.
Sat 26: Neil Cowley Trio @ The Glasshouse, Gateshead. 8:00pm. £22.50.
Sat 26: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 27: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 27: Andrea Vicari Trio @ Central Bar, Gateshead. 2:00pm. Vicari (piano); Andy Champion (double bass); John Bradford (drums).
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ Queen’s Hall, Hexham. 3:00pm. Xenopoulos, Edis, Paul Susans, Russ Morgan.
Sun 27: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 27: JustKing Jones @ Cluny 2, Newcastle. 7:00pm (doors). £17.50. JustKing Jones (alto sax, soprano sax); Jordan Williams (piano); Jason Clotter (bass); Malcolm Charles (drums). Ace NYC outfit!
Sun 27: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 27: Swing Manouche @ Warkworth Memorial Hall. 7:30pm. £15.00. Tickets from 01665 711388.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ The Globe, Newcastle. 8:00pm. Xenopoulos, Edis, Ken Marley, Russ Morgan.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, November 10, 2014

CD Review: Leo Appleyard – Pembroke Road

Leo Appleyard (guitar), Duncan Eagles (tenor sax), Neil Yates (trumpet/flugelhorn), Max Luthert (bass), Eric Ford (drums/percussion).
(Review by Hugh C).
Pembroke Road is the début album by twenty-five year old London-based guitarist Leo Appleyard. The album is a testament to the strength of enduring musical relationships. Appleyard states: “I have played in bands with Duncan Eagles and Max Luthert for more of my life than I haven't”.
These musicians have well-honed habits of working together and loose tempos, rapid transitions of mood and tricky time signatures become as natural as breathing. Leo Appleyard is marked out as a musician by his deep understanding and care about sound. He was given his first mixing desk at the age of fourteen – just a year and a half after he started the guitar and he has been working as a sound engineer professionally since the age of 17. This experience enables him to integrate electronic effects into his sound, but at the same time fully exploit the resonances of the hollow-bodied guitar he invariably uses.
There are nine tracks on the album – coming in at just over 52 minutes in total. The Homeless Wizard is named after one of Appleyard's friends (not in the band) and features drummer/percussionist Eric Ford. Wales-based Neil Yard (trumpet/flugelhorn) guests on the album on three tracks, including the second, Mass. This has a deliberate filmic quality and in places has a folky feel, reflecting Yates' talent in that genre. The Cleaver features the paired lyrical tones of Yates' trumpet and Eagles' sax. Anywhere South started as an exercise on Coltrane's 'Giant Steps' and has contrasting sections of fast and energetic forward motion and repose. Mantra contains some of the most atmospheric material on the album and incorporates different styles – a blues element, a Bach chorale and a modal vamp. Appleyard's musical mantra is to combine different elements, forging them into one.
The album was recorded in StudioOwz in the middle of rural Pembrokeshire. The studio was set up by a friend of Appleyard's and the sense of space and isolation, together with the rural surroundings, captured Appleyard's imagination. The title track Pembroke Road (sixth on the album) was actually composed after a visit to the studio (accessed by a dusty off-the-grid track) by Appleyard five years before he returned with the other musicians and eight more compositions. Intro to a Waltz features a sombre bass solo from Max Luthert before the revelation of the happy tune in Walsio. The final track I Remember is a different take by Appleyard on a standard by Victor Schertzinger.
This album comes with the imprimatur of the F-IRE label, which to the older jazzer can have slightly scary connotations! There is however nothing scary about this album. It is beautifully melodic throughout and elegantly demonstrates the musicianship of all participants. The sensitive interplay of the five musicians on the album is a delight.
Pembroke Road is released on Monday November 10 (Today).
CD Launch Gig: November 16 (12am), EFG London Jazz Festival, Pizza Express, Dean Street
Pembroke Road is on the F-IRE Label No. F-IRE CD75
Currently listed tour dates feature nowhere North of Birmingham.
Hugh.

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