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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday September 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Sunday Jazz in the Crypt - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00-6:00pm. £12.00. + bf. Line-up: Noel Dennis Trio + Emma Johnson’s Gravy Boat + Anthony Strong.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue Trio - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 5:00-7:00pm. Free.

Blues/Funk/Soul

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Paper Moon Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.

Fabled - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 15, 2014

Hebrides Ensemble: Dead Elvis @ Sage Gateshead. November 13.

(Review by Russell).
Elvis was in the building, supposedly. Dead or alive, he was keeping a low profile. A cursory glance along the concourse, a look in the café, the bar, the loo, not a sign. The main attraction (for some) couldn’t possibly be a ‘no show’, could he?        
Billed as ‘American classics with a cool vibe’, the Hebrides Ensemble presented six pieces to an attentive, and, belatedly, animated audience in Sage Gateshead’s Northern Rock Foundation Hall. Elvis (dead or alive), was top of the bill. We would have to be patient, other performers and composers were to be heard first. 
Darius Milhaud (a jazz connection via Dave Brubeck) opened the concert with Suite op 157b. Clarinet, piano (Huw Watkins) and viola played as classical musicians do – with precision. Soprano Claron McFadden took to the stage to sing three pieces. The first accompanied by piano, McFadden, seated, found dramatic expression and subtle humour in Thomas Adès’ work. On Stephen Montague’s Wild Nights (Emily Dickinson the source) McFadden stooped under the piano lid breathing life into the strings. Leonard Bernstein’s Dream with Me (an adaptation of JM Barrie’s Peter Pan) heard the soprano in reflective mood, seated once more, working with piano and William Conway’s cello.
The showstopper – Dead Elvis – certainly livened things up. A classical performance with dry ice smoke effects introduced Peter Whelan (aka Elvis). Variously fleet-fingered, brash and convincing (almost!), Whelan/Elvis walked the walk around the hall, turning heads as he and the band played on. So, this is what Elvis has been up to all these years!
Wynton Marsalis. A Fiddler’s Tale Suite. The real jazz element. The band assembled – trombone, trumpet (Ryan Quigley), double bass (May Halyburton), percussion, viola, clarinet and bassoon (a quick change into civvies for Whelan) – under the baton of Conway. Syncopation and swing with a N’Awlins drag, easy for Marsalis, not so easy for a contemporary classical ensemble (familiar with Stravinsky or not). Halyburton and percussionist Oliver Cox brought an element of authenticity to the performance but it just had to be Ryan Quigley to give it the seal of approval. Quigley sat with the others, reading the dots, no grandstanding for him. The final flourish – Marsalis-esque muted trumpet- made the whole endeavour worthwhile. Elvis may well be dead, long live Ryan Quigley!              
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance