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Bebop Spoken There

George Wein: "He [Chick Corea] said, 'George, you keep playing. It's good for you'" - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Saturday, November 01, 2014

Philip Clouts Quartet - Jazz Café. October 31

Philip Clouts (pno); Tom Ward (alt/sop); Tim Fairhall (bs); Dave Ingamells (dms).
(Review by Lance/photo courtesy of Mike Tilley.).
The streets were awash with Draculas, Frankensteins, Ghouls, Wizards and Witches - the children too were dressed for the occasion which of course was Halloween. 
No such frippery at the Jazz Café - the Werewolf was well and truly kept from the door.
Fortunately, the Philip Clouts Quartet were allowed through the portals en route to Carnegie Hall (Dunfermline).
Apart from leader Clouts, the personnel differed from that on their impressive CD The Hour of the Pearl although much of the material played was from that album, an album inspired by a passage from Steinbeck's Cannery Row - "It is the hour of the pearl--the interval between day and night when time stops and examines itself."
However, I digress. The music was varied and never less than compelling. The compositions were all by Clouts who played powerful piano coaxing the best out of the 87.5 keys on the upright. At times he reminded me of Cecil Taylor but that may have been due to the idiosyncrasies of the beast he was taming. Maybe Mike, in the time honoured Jazz Club owner tradition, will offer to get it painted!
Tom Ward excelled on both alto and soprano, Tim Fairhill proved to be a rock on bass and impressive on his occasional solo flights ,whilst Dave Ingamells gave a display that told us his graduation from Guildhall (a First) was no fluke and likewise his Yamaha Scholarship award. At 24, fame and fortune await him. Alternatively he may continue a career in jazz.
Clef Mona, apart from its multi-inspirational sources ie Flamenco/European Folk/African etc., also had some additional effects from the Espresso machine!
On West Hill had a gospel flavour - didn't know whether to clap or to yell "Hallelujah"! Dreamy Driving was cool as was Walking in Starlight - dedicated to Nigerian activist and multi-instrumentalist the late Fela Kuti.
The final Flamingo-ing was calypsotic with a tension building climax that left me breathless. The audience demanded more and got it.
Just time to catch the Metro.
Well, as it turned out, like in Cannery Row and The Hour of the Pearl, time had indeed stopped and examined itself at Central Station where delays on The Metro (Tyneside's 'Rapid Transport System') meant an additional 20 minutes wait before the last train arrived - possibly a Broomstick had broken down.
But this was but a minor irritant (like the noisy revellers) totally eclipsed by the evening's music.
Catch the quartet in Edinburgh, Aberdeen and other kilted communities including the aforementioned Carnegie Hall.
Lance. 

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