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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 01, 2014

Philip Clouts Quartet - Jazz Café. October 31

Philip Clouts (pno); Tom Ward (alt/sop); Tim Fairhall (bs); Dave Ingamells (dms).
(Review by Lance/photo courtesy of Mike Tilley.).
The streets were awash with Draculas, Frankensteins, Ghouls, Wizards and Witches - the children too were dressed for the occasion which of course was Halloween. 
No such frippery at the Jazz Café - the Werewolf was well and truly kept from the door.
Fortunately, the Philip Clouts Quartet were allowed through the portals en route to Carnegie Hall (Dunfermline).
Apart from leader Clouts, the personnel differed from that on their impressive CD The Hour of the Pearl although much of the material played was from that album, an album inspired by a passage from Steinbeck's Cannery Row - "It is the hour of the pearl--the interval between day and night when time stops and examines itself."
However, I digress. The music was varied and never less than compelling. The compositions were all by Clouts who played powerful piano coaxing the best out of the 87.5 keys on the upright. At times he reminded me of Cecil Taylor but that may have been due to the idiosyncrasies of the beast he was taming. Maybe Mike, in the time honoured Jazz Club owner tradition, will offer to get it painted!
Tom Ward excelled on both alto and soprano, Tim Fairhill proved to be a rock on bass and impressive on his occasional solo flights ,whilst Dave Ingamells gave a display that told us his graduation from Guildhall (a First) was no fluke and likewise his Yamaha Scholarship award. At 24, fame and fortune await him. Alternatively he may continue a career in jazz.
Clef Mona, apart from its multi-inspirational sources ie Flamenco/European Folk/African etc., also had some additional effects from the Espresso machine!
On West Hill had a gospel flavour - didn't know whether to clap or to yell "Hallelujah"! Dreamy Driving was cool as was Walking in Starlight - dedicated to Nigerian activist and multi-instrumentalist the late Fela Kuti.
The final Flamingo-ing was calypsotic with a tension building climax that left me breathless. The audience demanded more and got it.
Just time to catch the Metro.
Well, as it turned out, like in Cannery Row and The Hour of the Pearl, time had indeed stopped and examined itself at Central Station where delays on The Metro (Tyneside's 'Rapid Transport System') meant an additional 20 minutes wait before the last train arrived - possibly a Broomstick had broken down.
But this was but a minor irritant (like the noisy revellers) totally eclipsed by the evening's music.
Catch the quartet in Edinburgh, Aberdeen and other kilted communities including the aforementioned Carnegie Hall.
Lance. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance