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Bebop Spoken There

George Wein: "He [Chick Corea] said, 'George, you keep playing. It's good for you'" - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Thursday, October 16, 2014

Improvisation Workshop: Jazz Cafe: October 14

Andy Champion (bass guitar); Wesley Stephenson (drums); Zoe Gilby (voice) and others as mentioned below.
(Review by Ann).
Yet another review written without the benefit of note-taking, but how can you take notes during an improvisation session, I ask you?  Just not the done thing. I thoroughly enjoyed this event, but I think it requires a different mindset, relaxed and open, to get the most from this sort of thing.  It started me thinking about what music is all about, and I believe there are elements of drama involved too, and the experience is visual as well.
It helps that the main organising (not really the right word) musicians mentioned above are very competent. Andy and Wes began, and were soon joined by a sax playing repeated riffs. Karen Rann on soprano sax then joined the duo, with what started off as odd notes but then developed into something bebopish.  The musical conversation flowed well, with each player listening carefully, the secret of this type of music.  The next piece was quite beautiful, with Alan Law on piano, soft gentle wispy sounds.  Zoe then joined the action, extending well beyond her usual scat, with yelps, cries, whispers, and this was the drama, a writer could construct a story from these sounds.  Or maybe others heard something different, the listener brings her/his own perceptions.  Then came the fun, in the shape of A.N. Other, who had a wonderful array of 3-stringed zither-like instruments which he’d made himself, complete with amplification.  He proceeded to play one of these as a heavy metal guitar.  He also had long penny whistles, but without the holes, works in progress.  I tried one which produced various notes according to how hard you blew. By the end of the session there were about 10 people who’d played and quite a few in the audience.  We all joined in for the last piece which was a bit of a free-for-all. I was using my coffee cup and saucer as percussion at the end and it sounded surprisingly ok.
Try it for yourself, and be prepared to join in.  Sorry about not knowing the names of everyone who played.
Ann Alex    

1 comment :

cptfinch said...

wow what fun it sounds ! I never knew you were an exponent of the coffee-cup-and-saucer Ann ! :)

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