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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Friday, October 31, 2014

Strictly Smokin' Big Band - Open Rehearsal October 30.

(Review by Kath J./ Photo courtesy of Kathryn Lowden)
The night started out with a small gathering of attentive listeners to Gerry Mulligan’s Catch as Catch Can.  Next came one of the most famous songs from the Big Band era, a tune written by Louis Prima in 1935,  Sing Sing Sing, bravely executed by the SSBB so early in the evening, but the musicians were quickly warming to their task, particularly Guy on Drums!   
After you’re Gone featuring Pete Tanton on Trumpet was followed by Gordon Goodwin's Count Bubba, and then a lively version of Caravan with Steve Summers now on soprano.  Incidentally this evening he had 3 saxes and a flute… I almost expected to see his Pandeiro and Cabasa arrive too for this number… he’s partial to a bit of Latin percussion as you may see at The Globe on November 15  when he joins a few other well-known local musicians for some Jazz Latin Groove…. I digress… but then I do love a bit of Latin too.The arrival of one of the big band’s singers brought a flurry of activity to set up a mic while Steve Summers displayed his versatility picking up his flute and Kieran Parnaby showed his skill on trombone during Frankie, Johnny and the Trombone Guy.  Lindsay Hannon started off with Orange Coloured Sky (Mk 1) but unfortunately sharing the amp with other instruments didn’t work, and only those on the front row could hear her lovely rendition, having turned up a bit Lindsay went on to sing The More I See You but the mic volume still wasn’t great; Lindsay went off to get the portable PA from Michel Lamb’s car, and set that up while the band finished the first set with, Who Could Ask for Anything More.
Set two commenced with Horace Silver’s,  Song For My Father and by now the numbers in the audience had swelled so that the band were now outnumbered, and the soloists were instructed that they now had to stand up to solo, with band leader Michael Lamb showing us how it’s done.  Lindsay took another crack at Orange Coloured Sky (Mk 2) and this time everyone got to hear this smashing tune, she followed on with Nice Work If You Can Get It before the band interjected with Buddy Rich’s Big Swing Face.  Lindsay’s That Old Black Magic proved that sometimes the Band Leader just needs to get a bit right, and the band returned to bar 106 having gained permission from the audience to work out a niggle … Job done and they moved on to  another Gerry Mulligan tune, The Red Door.  Lindsay came back on to sing her beautiful version of Angel Eyes and the final number of the night saw the line-up change to 3 tenor saxes for Sax Ally, with Steve Summers, swapping to tenor to join Paul Gowland and Jamie Toms for some saxophone banter between the boys. 
Kath.
P.S. Come January and Steve Summer’s alto goes off for a service and re-pad,  so watch for the swap around between 1st Alto and 1st Tenor Saxes.. interesting times!

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