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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, October 20, 2014

Keith Stephen's Hot Club Trio w. Caroline Irwin @ Blaydon Jazz Club (Black Bull). October 19

Keith Stephen (gtr); Roly Veitch (gtr/vcl); Bruce Rollo (bs/vcl); Caroline Irwin (vcl).
(Review by Lance).
Caroline wasn't firing a ukulele from the hip or a cornet from the lip (at least not during the first set) but this modern day flapper did flash her eyes, and us males paralyse, with her vocals during this fine session at the Black Bull.
It had been a while since I visited the cosy home of Blaydon Jazz Club involving for me as it does trains and boats and planes or, to be more precise, buses, metros and pedestrian flyovers. The trip was worth it.
The room has an ambiance that lends itself to whatever the evening holds in store allowing for interaction been performer and listener.
The two guitarists are masters of the style and it was interesting to compare the different sounds despite both using Maccaferri style guitars. Keith, on lead, punchier, harder sounding - the fighter. Roly, softer, sweeter - the boxer. But this wasn't a brawl, it was a meeting of the like-minded combining to turn Blaydon into the 21st Arrondissement.
On bass, Bruce Rollo plucked and slapped - no poncy arco stuff from him and Caroline, as stated, drew the audience in a manner that can best be described by the groups opening instrumental - Coquette!
Vocals on Fly Me To The Moon; Cuckoo (en Francais); Me, Myself and I (with great guitar interplay); Bésame Mucho (en Español); I Get the Blues When It Rains; This is my Lucky Day and I'm Gonna Sit Right Down and Write Myself a Letter (w. vocal assist from Bruce). Roly sang Dinah (composed by Harry Akst w. words by Sam Lewis and Joe Young - no not our Joe Young - and not by Eddie Cantor as I suggested although he did originally perform it!)
A waltz about Hedgehogs featured some prickly guitar playing and my evening was rounded off with yours truly winning a bottle of vino in the raffle!
I wanted to stay longer but the trains and boats and planes scenario demanded an early depart.
Don't miss next months special - ace tenor player - Vasilis Xenopoulos. November 23.
Lance.
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