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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Wednesday December 13

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Brief Encounter - Vault, Hallgate, Hexham NE46 1XD. Tel: 01434 603884. 2:00pm. £7.50. advance. ‘’60’s Jazz’

Interim Recitals (Final Year Music Students) - Band Room, Music Studios, Assembly Lane, Newcastle University NE1 7RU. Inc. Harry Still (drums) 9:30am., Jimmy Jefford (saxophone) 11:15am. Free.

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Evening

Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Darlington Big Band - Darlington & Simpson Rolling Mills Sports & Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Swing Street - Pier Red, 27 Castlegate, Berwick upon Tweed TD15 1LF. Tel: 01289 309168. 8:00pm. Free.

Improvisers' Workshop Ensemble - Great North Museum: Hancock, Barras Bridge, Newcastle NE2 4PT. 6-8pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 18, 2014

Paul Edis Sextet @ Gala Theatre, Durham, Mr Hipster tour, October 13

Paul Edis (piano), Graham Hardy (trumpet & flugelhorn), Graeme Wilson (tenor & baritone saxophones), Kieran Parnaby (trombone), Mick Shoulder (double bass) & Adam Sinclair (drums).
(Review by JC).
As BSH has already reviewed the Sextet's Mr Hipster CD and the album launch at Sage Gateshead, there is not an awful lot left to say except that everything Lance and Russell have said is true. What a great band, playing great compositions!
Durham is Paul Edis's home town so when the album review says that the opening number The Timothys has a township groove, this township is Durham. The band leader was in chatty form and opened his remarks by explaining that this concert was part of the Mr Hipster tour and naturally enough asked how many hipsters were in the hall. Of course, the jazz fans of Durham are far too hip to respond to that kind of question and I would have thought that less than half the audience put up their hands.
The sextet played most, if not all, of the tracks from the album and what comes across is the complexity and diversity of the musical inspirations for the pieces and the structure and coherence of the musical composition. The musical fun of Mr. Hipster, the exotic feel of Eastern, the Spanish tinge to Knight Errant; all are played with solos of consummate precision and a terrific ensemble sound. The track based on a twitter interaction with John Prescott (can he really have 100,000 twitter followers as PE suggested? who could they be?) Better than a Punch in the Face is counter pointed by the Mingus inspired Ah Um who Edis said might wade in the audience and punch someone who was talking too loud - better no talking than a punch in the face, maybe? Then there was Serial for Breakfast inspired by Arnold Schoenberg during which a moth appeared fluttering over the stage, presumably the spirit of Schoenberg checking out on how the band was doing. After about 30 seconds it flew off, no doubt more than satisfied. Dorian Grey was a cautionary tale about an ageing hipster and the sextet also played a tune from the first album for Mr. Edis senior, Blues for Dad, although surely it should have been Blues for Daddio in this context.
Throughout, the playing of Paul Edis was exemplary, particularly on the romantic Missing You and a touch of stride on Ah Um. He also played an exceptional solo piece, The Skye Boat Song, which was a nod towards the political excitement of the Scottish referendum.
As has been said, the sextet is full of great musicians and the solos from all of them were top drawer. At the end it was announced that the trombone player, Kieran Parnaby, was deputising at short notice and I have to say he did a great job. The setting of the Gala Theatre was very good with the band filling the stage and while some recent jazz gigs have featured multiple videos and all kinds of technological gizmos the Gala outdid them all with the most dry ice I've seen outside of a Tynemouth sea fret.
The sextet is on again in Hexham tonight (Saturday October 18). Not to be missed!
JC.
ps: The album is terrific!

1 comment :

Hugh said...

Great gig in Hexham too. No hipsters in the audience. The only ice was wet, and was in the drinks.

Paul and the boys were on fine form. Being held in the Little Angel Cafe, rather than the Queen's Hall, there were one or two residual diners, who continued to talk through the music. No punches thrown though! Luckily for the rest of us, they left before the second set.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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