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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 18, 2014

Paul Edis Sextet @ Gala Theatre, Durham, Mr Hipster tour, October 13

Paul Edis (piano), Graham Hardy (trumpet & flugelhorn), Graeme Wilson (tenor & baritone saxophones), Kieran Parnaby (trombone), Mick Shoulder (double bass) & Adam Sinclair (drums).
(Review by JC).
As BSH has already reviewed the Sextet's Mr Hipster CD and the album launch at Sage Gateshead, there is not an awful lot left to say except that everything Lance and Russell have said is true. What a great band, playing great compositions!
Durham is Paul Edis's home town so when the album review says that the opening number The Timothys has a township groove, this township is Durham. The band leader was in chatty form and opened his remarks by explaining that this concert was part of the Mr Hipster tour and naturally enough asked how many hipsters were in the hall. Of course, the jazz fans of Durham are far too hip to respond to that kind of question and I would have thought that less than half the audience put up their hands.
The sextet played most, if not all, of the tracks from the album and what comes across is the complexity and diversity of the musical inspirations for the pieces and the structure and coherence of the musical composition. The musical fun of Mr. Hipster, the exotic feel of Eastern, the Spanish tinge to Knight Errant; all are played with solos of consummate precision and a terrific ensemble sound. The track based on a twitter interaction with John Prescott (can he really have 100,000 twitter followers as PE suggested? who could they be?) Better than a Punch in the Face is counter pointed by the Mingus inspired Ah Um who Edis said might wade in the audience and punch someone who was talking too loud - better no talking than a punch in the face, maybe? Then there was Serial for Breakfast inspired by Arnold Schoenberg during which a moth appeared fluttering over the stage, presumably the spirit of Schoenberg checking out on how the band was doing. After about 30 seconds it flew off, no doubt more than satisfied. Dorian Grey was a cautionary tale about an ageing hipster and the sextet also played a tune from the first album for Mr. Edis senior, Blues for Dad, although surely it should have been Blues for Daddio in this context.
Throughout, the playing of Paul Edis was exemplary, particularly on the romantic Missing You and a touch of stride on Ah Um. He also played an exceptional solo piece, The Skye Boat Song, which was a nod towards the political excitement of the Scottish referendum.
As has been said, the sextet is full of great musicians and the solos from all of them were top drawer. At the end it was announced that the trombone player, Kieran Parnaby, was deputising at short notice and I have to say he did a great job. The setting of the Gala Theatre was very good with the band filling the stage and while some recent jazz gigs have featured multiple videos and all kinds of technological gizmos the Gala outdid them all with the most dry ice I've seen outside of a Tynemouth sea fret.
The sextet is on again in Hexham tonight (Saturday October 18). Not to be missed!
JC.
ps: The album is terrific!

1 comment :

  1. Great gig in Hexham too. No hipsters in the audience. The only ice was wet, and was in the drinks.

    Paul and the boys were on fine form. Being held in the Little Angel Cafe, rather than the Queen's Hall, there were one or two residual diners, who continued to talk through the music. No punches thrown though! Luckily for the rest of us, they left before the second set.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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