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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

Archives

Today Thursday August 17

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
Rendezvous Jazz - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4. 7:30pm. £5.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrogate Hill, Darlington DL1 3AD. 1:30pm. Free.
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Tees Hot Club w.Kevin Eland (trumpet); Mark Toomey (alto); Dave Archibold (keys)- Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday August 18

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Levee Ramblers New Orleans Quartet - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening
Kentucky Cowtippers - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Ray Johnson & Richard Herdman - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 8pm.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 16, 2014

CD Review: Ezra Weiss Sextet - Before You Know It.

Ezra Weiss (pno); Farnell Newton (tpt); John Nastos (alt); Devin Phillips (ten); Jon Shaw (bs); Christopher Brown (dms).
(Review by Lance.).
Recorded live in the Ivories Jazz Lounge, Portland, Oregon, late last year leader, pianist, arranger and composer Weiss has laid down his marker. Not many will surpass it. Comparisions could be made with the various Art Blakey bands and the hard hitting ensembles and solos bear this out. However, there's more subtle nuances here such as the mood swings and tempo changes that were less commonplace in Blakey's day.
All compositions are by Weiss with the exception of A Foggy Day and Coltrane's Alabama and it is easy to see why jazz scribes in the NY Times, Down Beat and Jazz Times have written so enthusiastically about him variously describing the pianist as "A confident composer in the progressive mainstream" (NYT);  "A bold, inspired figure in the contemporary jazz arranging scene" (DB); "...can keep the standard this high for many years to come" (JT). - Amen to that!
Of course the compositions and arrangements are the meat and two veg but it is the soloists who provide the gravy and never more so than in the 15 minutes long version of The Five A.M. Strut. Inspired, Weiss says, by a gig that started at two in the morning and then having to figure out how to get home.
Alabama is a scary, moving piece drenched in emotion.. Originally composed by Coltrane after the 1963 Baptist church bombing in Birmingham, Alabama, Weiss dedicates his arrangement to the victims of the Sandy Hook shooting.
To find out more about the CD; Ezra Weiss and to hear a sample  follow the link.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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