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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 25, 2014

CD Review: No Fast Food – In Concert

Phil Haynes (drums), David Liebman (tenor & soprano saxophones, flute) & Drew Gress (double bass).
(Review by Russell).
In a long career drummer Phil Haynes has worked with many of the leading lights in contemporary jazz including Anthony Braxton, Don Byron and Paul Smoker. He has recently released a recording of his trio No Fast Food featuring Dave Liebman (reeds) and Drew Gress (double bass) captured in stunning form on location in Rochester, NY State and Milheim, Pennsylvania.
The CD In Concert documents the trio’s engagements during the summer of 2012. The compositions (thirteen across two discs) are by Haynes, as is the exemplary production. The bandleader refers to the ‘individual clarity’ and ‘equality of ensemble counterpoint’ achieved in the trio format and it is the participation of Liebman and Gress that ensures the music is of the highest quality. The trio format leaves no hiding place and none hide. Gress leads on the opening Dawn on the Gladys Marie, Haynes and Liebman waiting in the wings. Throughout the recording the musicians listen, converse, empathise and, from time to time, engage in volcanic argument finally agreeing a resolution.
The robust West Virginian Blues hears Liebman on tenor and on Together (No Fast Food defined) he switches to soprano with equal facility. On ZenLieb (the opening track of the second disc) Liebman plays a wooden flute. The title says it all and the audience response is one of appreciation of his mastery. From Zen Lieb to agitated Lieb as Liebman burns it up on tenor on Out of the Bowels. More of the same (gloriously so) on Workin’ It a none-stop, vigourous, swinging blow-out.                                          
Blues for Israel focuses on Liebman’s plaintive soprano saxophone (political perspective unspoken) followed by a brief Incantation. Taut group interplay is maintained throughout nine minutes plus on Chant, scarcely rising above a whisper, revealing Gress’ mastery of acoustic double bass playing. Encore du jour (from the Elk Creek Café & Ale Works, PA session) encapsulates all that is best about the CD and is an apposite ‘encore’. A word about the recording; Jon Rosenberg recorded, edited, mixed and mastered the CDs and in so doing captured the essence of the ‘live’ gig without compromising on quality of sound.    
In Concert by No Fast Food is available on CornerStoreJazz (CSJ 0107-0108). 
Russell.                

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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