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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

Archives

Today Thursday August 17

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
Rendezvous Jazz - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4. 7:30pm. £5.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrogate Hill, Darlington DL1 3AD. 1:30pm. Free.
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Tees Hot Club w.Kevin Eland (trumpet); Mark Toomey (alto); Dave Archibold (keys)- Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 19, 2014

CD Review: Allison Au Quartet - The Sky Was Pale Blue Then Grey.

Allison Au (alt); Todd Pentney (pno/Rhodes/B3); Jon Maharaj (bs); Fabio Ragnelli (dms); Felicity Williams (voice tk 1).
(Review by Lance).
A Toronto based alto saxist/composer, Au plays in a quite delightful manner. Contemporary and fresh with an airy lilt to her playing the sound hints at such grandmasters of the instrument as Lee Konitz, Art Pepper or Paul Desmond. Yet Au is very much her own person. The individuality shines forth in her choice of notes, in particular the unusual intervals in her phrasing both as a player and a composer.
With a rhythm section perfectly attuned to her chosen direction the blend is assured. Pentney adds his compositional skills to that of Au with the explorative ballad Tired Face. Elsewhere he is tower of strength on piano as well as the good old Hammond B3 on the title track...
The Sky Was Pale Blue, Then Grey is, I quote, "a comprehensive experiment of mixed mediums. Combining textures of the human voice with ambient sound effects ... breathes a freshness into the ensemble that instantly sounds open and free." Don't let this frighten you into thinking the track is a journey into some alien territory! Far from it. The spoken word by an unidentified gentleman is pleasing and logical with the alto blowing attractive lines alongside and, of course, the aforementioned B3 adding the funk.
Maharaj and Ragnelli are pivotal figures providing the foundation as well as propelling the music forward both solowise and in support.
Well worth checking out and, if you live in Western Canada, go here for tour dates and sample tracks.
Allison and band talk.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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