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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: King Bees @ Louie's Liquor Store, Bigg Market, Newcastle. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Wednesday, November 21, 2012

Jack DeJohnette Group/Polar Bear @ The Sage, Gateshead.

Jack DeJohnette (dms); Don Byron (ten./sop.clt); George Colligan (keys/tpt); Marvin Sewell (gtr); Michael Mondesir (bs).
(Review by Lance)
DeJohnette took his seat (throne?) behind the kit and made various adjustments as the audience sat in hushed silence awaiting to hear the great man speak. This he eventually did, introducing the members of the band by name before setting the ball rolling with a drum introduction to his own composition - Blue. In fact all five extended pieces were DeJohnette originals.
Colligan was the first up to the plate blowing a pocket trumpet from which he produced a big fat sound. I'd liked to have heard more trumpet from him but, for the rest of the 90 minute set he concentrated on the assortment of keyboards he was surrounded by - occasionally playing different keyboards simultaneously as well as the concert grand. 
Byron impressed on tenor but I was somewhat surprised that the regular Down Beat poll winner on clarinet seemed to be playing exclusively in the higher register - or was it a soprano clarinet? From where I was sitting way back it did appear to be shorter than the standard Bb instrument.
Marvin Sewell played some powerful solos and former Jazz Warrior Mondesir was equally impressive.
Unusually for a drummer/leader we weren't overpowered by a barrage of drum solos. Where DeJohnette really came into his own was in his ability to vary the pace and the mood to suit the soloist. 
It was a good gig that, if it didn't set The Sage on fire, certainly kept it warm and was surely deserved of a larger audience.
Programme: Blue; One For Eric; Tango African; Lydia (dedicated to his wife); Ahmad the Terrible.
Earlier, British experimental band Polar Bear - Seb Rochford (dms); Mark Lockheart, Pete Wareham (ten); Tom Herbert (bs); Leafcutter John (electronics) - played an opening set that was well received by most of the audience.
Lance.

1 comment :

John Moles said...

I have to say that at least on the night I thought 'Polar Bear' was the better band: more 'composed through' (or at least 'arranged through' compositions), more variety in all departments, better bass (moving to see the old upright form playing such a varied and pivotal role), better group interaction, and better solo-ing (maybe also better drumming). De Johnette's group was 'jazzier' (not that 'Polar Bear', despite funkiness, wasn't squarely within the tradition) but lacked solist distinction (essential in such contexts). The keyboards were OK (certainly not helped by back facing the audience on the grand), the guitarists competent but undistinguished, Byron surely a major disappointment. Though the clarinet imported interesting and distinctive sonorities, the soloing itself wasn't great and the man himself seemed an ironic and detached figure. We had to leave at 10 (train to catch) and perhaps it got better, but the 'London Jazz Review' was surely way over the top.

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