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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, November 15, 2009

Tomasz Stanko Quintet @ The Sage, Gateshead.

Tomasz Stanko - trumpet, Jakob Bro - guitar, Alexi Tuomarila - piano, Anders Christensen - bass, Olavi Louhivuori - drums.
Some years ago I read a collection of short stories by William Price Fox - "Southern Fried". They are magnificent tales of the American deep south - seek it out, I think it has been re-printed with 6 extra stories.
The particular story relevant to tonight's little adventure is a one called "The Rope". It's a story centred around a group of down and outs who challenge each other to name the worst place they have ever slept in. The winner was a doss house which had a room with a rope stretched across the middle - no beds - just a rope. The idea was that the 'guests' draped themselves across the rope and then tried to sleep. The most comfortable position was in the centre of the rope but if you were late arriving it meant you had to make do with the end of the rope and had to try and sleep at an angle. Not easy.
Tonight, I opted for a £7 standing ticket on Level 3 in The Sage's Hall 2. This was only marginally more comfortable than I imagine the rope to have been and possibly contributed to my cup not running over with joy.
Roz Rigby introduced the quintet who last night had been part of the London Jazz Festival and tonight were performing, possibly, as part of Polish Week in Newcastle. I wondered idly if they were having a Newcastle Week in Poland!
The first 20 minutes were of a dirge like nature; probing, introspective, long drawn out notes that suggested a lament to a fallen soldier or a departed love, possibly the introduction to a dream and indeed sleep did beckon but I fought it and won (or did I?).
The set was played non-stop without interval or announcement and there were moments when it came beautifully and excitingly to life. Tomasz does have a wonderful tone (so he should playing all those long notes) and when he chose to despatch some Miles-like runs he displayed an impressive technique and nobody slept.
But, having fortified myself by listening to his earlier quartet recordings I realised that I was really at the wrong concert. The fault is entirely mine.
Piano, bass, guitar and drums had their moments but by and large their role was supportive.
The attendance was good with Levels 1 and 2 close to sold out hence my being up there where the air is rarified.
Next time I'll opt for a seat in the stalls.
Lance.

1 comment :

George said...

Sorry to hear of your Tomasz Stanko discomfort 'over the rope' Lance - Orwell refers to this kind of doss house in Down & Out.... where 5 star would be solid boards to hang over. There was another luxury in A J Cronin's Beyond This Place, where sacking was stretched between 2 ropes to make a line of low-slung 'hammocks'.
I really am sorry that Stanko didn't deliver for you as I was intending to go ; I've got friends in Poland who gave me some of his albums back in 2005 and I really liked them. As I write I'm refreshing on the most amazing coincidence of a title considering your comments: 'Suspended Night' ECM 2004, which is of its genre and I can see where you're coming from : I like this cool delivery as a nightcap but it's not the music to take your mind off rope burns in the armpit!

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