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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 12, 2009

Duology + 2 @ The Bridge Hotel. November 11th.

Duology: Michael Marcus (clarinet) & Ted Daniel (trumpet, flugelhorn & Moroccan flute) +2: Charlie Collins (drums) & John Jasnoch (electric guitar & oud). Free jazz is an unpredictable art form yet it was odds on that last night's gig upstairs at the Bridge Hotel would be a winner.
Michael Marcus and Ted Daniel have been working together for some time (their debut duo recording 'Duology' was recorded in New York in 2006) and their offer to visit Newcastle as part of a UK tour was accepted without a moment's hesitation.
Marcus has performed on Tyneside in recent years in the company of free jazz veteran Sonny Simmons and here he was with another from the 'fire music' era of the New York loft scene - Ted Daniel.
The opening piece featured Daniel, unaccompanied, on Moroccan flute. A sensitive, single note fanfare reaching all four corners, it invited John Jasnoch to pick up the oud (for the first and only time during the performance), Marcus his Bb clarinet and the eccentric that is percussionist Charlie Collins to complete the quartet.
The two-set performance featured Marcus and Daniel reading written parts (yes, 'free' can incorporate written, structured elements!) with Sheffield's finest Jasnoch & Collins working sympathetically throughout.
Jasnoch is an unheralded talent - think Joe Morris (recently at the Cluny) and Bill Frisell - giving the impression that he is quite content to remain so (a guitarist's guitarist). Collins, a visually striking figure, is a great listener, responding to and influencing developments happening around him. Marcus and Daniel demonstrated a thorough understanding of the jazz vocabulary reaching back to the syncopated sounds of New Orleans through to bop and beyond. Ted Daniel played trumpet (open and mute) exhibiting a prodigious technique with lyrical passages reminiscent of Clifford or Miles and blistering valve work of which Dizzy would have been proud.
The Bridge Hotel is a great place to hear free jazz (Michael Marcus remarked afterwards:'Nice room') and it struck this listener that much of what was heard last night would have made sense to fans of Alan Barnes, Bruce Adams, Steve Waterman and the like.
The concert was an 'On the Outside' event presented by Jazz North East. The next in the series, again at the Bridge Hotel, on December 10th, features Calling Signals, a meeting of British and Scandanvian improv heavyweights including Frode Gjerstad and Nick Stephens. In addition there is an unmissable gig just across the High Level Bridge on Thursday 26th November in Gateshead Old Town Hall featuring the Profound Sound Trio (Paul Dunmall, Andrew Cyrille & Henry Grimes).
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance