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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 15, 2009

Tomasz Stanko Quintet @ The Sage, Gateshead.

Tomasz Stanko - trumpet, Jakob Bro - guitar, Alexi Tuomarila - piano, Anders Christensen - bass, Olavi Louhivuori - drums.
Some years ago I read a collection of short stories by William Price Fox - "Southern Fried". They are magnificent tales of the American deep south - seek it out, I think it has been re-printed with 6 extra stories.
The particular story relevant to tonight's little adventure is a one called "The Rope". It's a story centred around a group of down and outs who challenge each other to name the worst place they have ever slept in. The winner was a doss house which had a room with a rope stretched across the middle - no beds - just a rope. The idea was that the 'guests' draped themselves across the rope and then tried to sleep. The most comfortable position was in the centre of the rope but if you were late arriving it meant you had to make do with the end of the rope and had to try and sleep at an angle. Not easy.
Tonight, I opted for a £7 standing ticket on Level 3 in The Sage's Hall 2. This was only marginally more comfortable than I imagine the rope to have been and possibly contributed to my cup not running over with joy.
Roz Rigby introduced the quintet who last night had been part of the London Jazz Festival and tonight were performing, possibly, as part of Polish Week in Newcastle. I wondered idly if they were having a Newcastle Week in Poland!
The first 20 minutes were of a dirge like nature; probing, introspective, long drawn out notes that suggested a lament to a fallen soldier or a departed love, possibly the introduction to a dream and indeed sleep did beckon but I fought it and won (or did I?).
The set was played non-stop without interval or announcement and there were moments when it came beautifully and excitingly to life. Tomasz does have a wonderful tone (so he should playing all those long notes) and when he chose to despatch some Miles-like runs he displayed an impressive technique and nobody slept.
But, having fortified myself by listening to his earlier quartet recordings I realised that I was really at the wrong concert. The fault is entirely mine.
Piano, bass, guitar and drums had their moments but by and large their role was supportive.
The attendance was good with Levels 1 and 2 close to sold out hence my being up there where the air is rarified.
Next time I'll opt for a seat in the stalls.
Lance.

1 comment :

George said...

Sorry to hear of your Tomasz Stanko discomfort 'over the rope' Lance - Orwell refers to this kind of doss house in Down & Out.... where 5 star would be solid boards to hang over. There was another luxury in A J Cronin's Beyond This Place, where sacking was stretched between 2 ropes to make a line of low-slung 'hammocks'.
I really am sorry that Stanko didn't deliver for you as I was intending to go ; I've got friends in Poland who gave me some of his albums back in 2005 and I really liked them. As I write I'm refreshing on the most amazing coincidence of a title considering your comments: 'Suspended Night' ECM 2004, which is of its genre and I can see where you're coming from : I like this cool delivery as a nightcap but it's not the music to take your mind off rope burns in the armpit!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance