Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18994 (and counting) posts since we started blogging 18 years ago. 858 of them this year alone and, so far this month (Oct. 12) 37.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Wednesday, November 11, 2009

There May Be Other Nights Like This But...

Alan Glen Trio: Alan Glen (pno), John Pope (bs), David Carnegie (dms). Take It To The Bridge: Dave Weisser (tpt/vcl), Chris Finch (pno), Barrie Ascroft (bs), Eric Stutt (dms). + Harley Johnson (pno) & Dan ? (gtr).
The stars have rarely shone brighter than tonight at The Chilli. The Alan Glen Trio, making their monthly pilgrimage to perform their miracles before the eyes and ears of the disciples in the upper room, have seldom played better on a host of good tunes familiar and otherwise.
"How Deep Is The Ocean?" - the question became academic as Alan has more depth to his playing than any ocean - "The Way You Look Tonight" swung along superbly as the Jerome Kern tune invariably does when in the hands of such a master practitioner of the black and white art as Alan. "The Touch of Your Lips", a gentle mover, saw some clever bass work from John Pope. John's playing has moved forward in Giant Steps and tonight he was the revelation of the band despite the handicap of some less than perfect amplification. David Carnegie - what more is there to say? He drives when driving is called for and takes a back seat when sensitive brushwork is the name of the game - except, of course, for his powerhouse drum solo finale.
A great set.
-----
Earlier, Chris Finch occupied the piano chair for the second week whilst Barrie played bass. They both did good.
Dave had some vocal moments on "Secret Love", "A Foggy Day", blew both muted and open horn on "Straight No Chaser" as well as throwing in some muddy water/hollow log lyrics that we may be familiar with. He was also generally entertaining with his inter-round summaries.
-----
For the final set a young guy called Dan sat in on guitar and had a nice solo on "Autumn Leaves" although he too struggled a little with the amplification.
Then, just when you thought it couldn't get any better on came Harley for "Well You Needn't".
Perhaps he was offloading his frustrations from last week at The Cluny or maybe he was champing at the bit having had to wait until the last number to start kicking but when he kicked he sure as hell kicked.
This was Monk meets Keith Jarrett meets Harley Johnson. Spurred on by Eric's empathic drumming this brought the evening to a close although I think everyone wanted it to last forever.
As someone remarked, "Where else can you get a hundred quidsworth for a pound?"
Only a hundred? Cheapskate.
It's priceless.
Lance. PS: Admiring remarks were passed on the TITTB poster. Perhaps Dave can scan me a copy and reveal who the artist is.

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