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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 15, 2009

Zoe Gilby Quintet @ Saltburn Jazz Centre - Friday 13th November

Zoe - vocals ; Andy Champion - double bass ; Noel Dennis - trumpet & flugel horn ; Richard Brown - drums ; Mark Williams - guitar. As Mark Williams and I arrived in Saltburn tonight, darkness rained heavily on the small seaside town yet, lucky for some, the Community Centre was bathed in a welcoming ecclesiastical light with a large banner proudly announcing : JAZZ CONCERT TONIGHT ; "Are you sure this is the place?!"
Inside, all was cosily organised with table-clothed and glowing-candled settings, arranged in sweeping arcs around a 'giant 4 poster bed' of an artists' area. Quoting from Saltburn's Community website: "The hall was completed in April 1910 as a Primitive Methodist Chapel. It is an historic building with Grade II listing constructed of glazed brick and a slate roof. It is heated by gas fired central heating radiators." Fascinating stuff and what's more, it was literally packed with expectant jazz fans - such a contrast to The Georgian Theatre Stockton - the warm welcome from the organisers even extending to drinks being pressed into the hands of the band as they arrived - such a human touch, nice! This was a passionate 'back with a vengeance' performance, after Zoe's 3 week absence due to a throat infection and, surprisingly, in a venue that projected the sound of the band without any clashing echos, although it may be worth considering a PA when beyond a trio, to let Zoe's voice dominate the mix on all sides. I'd not heard the announced "Zoe Gilby+quartet" with a trumpet/flugel frontline before but I was soon impressed as Noel pulled a variety of lively chromatic rabbits out of the hat with his cool Chet Baker kind of blue magic! Zoe's standards were high as usual and, nearing the end of the 1st set, I got another chance to attempt to work out the duo arrangement of 'Nice Work if You Can Get it', as the rest of the band were sent to get the interval drinks. Unfortunately it is for sure, 'Nice Work' but I just can't 'Get It' - how do they do it? With the voice/bass counterpoint, the extended melody harmonics - could be Lydian Dominant meets Abbott & Costello: it's just SO clever and pulls out all the tricks in Andy's amazing conjurer's cabinet. Zoe's a great fan of writer Dave Frischberg (Fresh-Mountain) and, rallying those like-minded women in the hall who expect equality to be weighed in their favour, ordered up her sweet in the 1st set with her slinky delivery of Peel Me A Grape - "....Don't just do it, jump to it!" So it was in Set II that those who are fed up with being told to avoid what those kill-joy scientists tell us just might kill us, got another rare heartfelt Frischberg number - 'Forget About Living' with its list of all the things we like that are bad for us, concluding that without a bit of excess, "..you might as well be dead!" A sort of Dorothy Parker reversal. I just love their treatment of 'Caravan' and tonight we got a deftly delivered drum solo from Richard Brown of the highest order - you were there with him on camel-back - a great sound. Meanwhile Mark Williams is thankfully never predictable - every solo he takes, he takes it easy but he really does take it! This was a showcase performance of the highest order.
George M.

1 comment :

mark williams said...

nice one matey. Gis a bell next time youre in town. Mark

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance