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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17755 (and counting) posts since we started blogging 17 years ago. 76 of them this year alone and, so far, 1 this month (Feb.1).

From This Moment On ...

February 2025

Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Bailey Rudd.
Tue 04: Dilutey Juice + Life Aquatics Band @ The Glasshouse, Gateshead. 8:00pm.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 06: Lewis Watson Quartet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Latin jazz/top-rated dance bands.
Thu 06: Rose Room @ The Globe, Newcastle. 8:00pm.
Thu 06: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Helen Barber (vocals) & Alex Moon (piano).
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. Guests: Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Kevin Eland (trumpet); Graham Thompson (keys); Ron Smith (bass). 8:30pm. Free. A Tees Hot Club promotion. The session is now monthly, first Thursday in the month.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: James Birkett & Emma Fisk @ Old Lowlight, Clifford’s Fort, North Shields NE30 1JE. 7:00pm. £15.00. + bf. www.oldlowlight.co.uk. SOLD OUT!
Fri 07: Stuart Turner Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 7:00pm. Free. Jazz, blues, Americana etc.
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 07: Rose Room @ Wylam Institute. 8:00pm. £19.67.
Fri 07: John Rowland Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 08: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 08: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 08: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 08: Lewis Watson Quartet @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 08: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. ‘Swing Jazz Guitar’.
Sat 08: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm. Free. A Newcastle University Jazz Orchestra event. All welcome.

Sun 09: Glenn Miller & Big Band Spectacular @ The Forum, Billingham. 3:00pm.
Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Tom Remon & Mark Williams @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 09: Rod Oughton’s Tomorrow’s New Quartet with Ben van Helder @ The Globe, Newcastle. 8:00pm. Line-up inc. Deschanel Gordon.
Sun 09: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, November 04, 2009

The Primacy of the Ear...Part 3

The grand success of any workshop is when seeds of new concepts are sown, to grow in a mind free to be receptive. Even more so, if the person casting them has explored their art to the extent that they can see it in its fundamental simplicity and want to show you what they know. That was what was so good (more than good) for me about this workshop with Gilad Atzmon. It was great to hear that the key to all those fabulous sound that he makes with his saxophone is so simple and clear. His opening question was to ask whether we understood consonance and dissonance. The first thought that came to my mind as he described those words, was a memory of description of an essential character of Indonesian food, the subtle interplay of salt and sweet...
Tension and resolution and evidence that we were listening and responding to each other, I think that was what he was listening for as some of us improvised, eyes closed (to escape self conciousness) with our various voices. That was the idea that I took away with me to explore, something which is subtle and captivating in any form of expression. There were other aspects of the workshop that I have to think on too, they have been described in the previous blogs, so I need say nothing more, really, except that those seeds of ideas have been sown in my mind, in this workshop, and are happily sprouting away.
Fiona.

1 comment :

Lance said...

Thank you so much Fiona, Dr. Jas and Ann. Three different aspects of what must have been a remarkable and educational afternoon. Wish I could have made it.

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