Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18699 (and counting) posts since we started blogging 18 years ago. 573 of them this year alone and, so far this month (July 11) 27

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Tue 14: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30pm. £15.00 (reservations: 0191 237 3697). ‘July Jazz Barbecue!’
Tue 14: Crook Little Brass Bash @ Crook Community Centre. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Barnard Castle Little Brass Bash @ The Witham, Barnard Castle. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Nomade Swing: Dos Guitars Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Tue 14: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Wed 15: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Willington Big Brass Bash @ Town Park, Willington. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Wed 15: Nomade Swing: Dos Guitars Trio @ Café Needle’s Eye, Promenade, Newbiggin-by-the-Sea NE64 6XE. 6:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Side Café Orkestar @ The Cumberland Arms, Byker, Newcastle. 7:30pm. £15.00 (£11.00. adv.); £12.00 concs (£8.00. concs adv.).

Thu 16: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 16: Spennymoor Big Brash Bash @ Jubilee Park, Spennymoor. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Coxhoe Little Brass Bash @ Village Green (Pit Wheel). 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Nomade Swing: Dos Guitars Trio @ Lollo Rosso, Morpeth. 7:30pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Thu 16: Stevie Jay Duo @ Newcastle Arts Centre. 7:30pm. Free. Julija Jacenaite & Steve Glendinning.
Thu 16: DK Harrell @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf. USA blues.
Thu 16: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 17: Mejedi Owusu w. Francis Tulip Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Seaham Big Brass Bash @ Terrace Green, Seaham. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Newton Aycliffe Big Brass Bash @ Town Park, Newton Aycliffe. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Ray Stubbs R&B Allstars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Fri 17: Mejedi Owusu w. Francis Tulip Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 17: Zoë Gilby Quartet @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 17: Nomade Swing: Dos Guitars Trio @ Repas 7 by Night, Berwick. 8:00pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sat 18: Streets of Brass @ Market Place, Durham City. 10:00am-4:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Sat 18: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sat 18: Party in the Park @ Wharton Park, Durham City. 5:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands. Entrance o/s Durham Railway Station (Northbound platform).
Sat 18: Zoë Gilby & Dean Stockdale @ FIKA Art Gallery, Morpeth. 6:30pm.
Sat 18: Mejedi Owusu w. Francis Tulip Trio @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 18: Tyne Valley Big Band + Revolutionaires @ Pelton Community Centre. 7:00pm. A Durham Brass Festival event.
Sat 18: Dale Storr @ The Straw Yard, The Barracks, Berwick. 7:30pm. £15.38. Solo piano.
Sat 18: Nomade Swing: Dos Guitars Trio @ Red Lion Inn, Alnmouth. 8:30pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sun 19: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sun 19: Jacob Egglestone Trio @ The Bandstand, The Sele, Hexham. 12 noon. Free.
Sun 19: Tyne Valley Big Band @ Bishop Auckland Town hall. 2:00pm. £7.00 (inc. bf). A Durham Brass Festival event.
Sun 19: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 19: Michael Young Trio @ Engine Room, Sunderland. 2:30pm. Free.
Sun 19: Mejedi Owusu w. Francis Tulip Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 19: SwanNek @ The Bandstand, The Sele, Hexham. 2:00pm. Free.
Sun 19: Nomade Swing: Dos Guitars Trio @ Twelve 06, High St., Newbiggin-by-the-Sea NE64 6DR. 3:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Sun 19: Dale Storr: The Sounds of New Orleans @ The Globe, Newcastle. 8:00pm. Solo piano. POSTPONED!

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Mejedi Owusu w. Francis Tulip Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Thursday, November 05, 2009

The Schmazz Factor - The Cluny.

Result.
Best Overall Band: CARPUS TRIO (Pete Currie, pno; Nick Grimes, gtr; Victor Solana, dms.)
Best Individual Performance: Christian Alderson, perc. (Long Lonesome Go).
Best Individual Composition: Final tune by Harley Johnson Trio written by Ivan Scutt.
(Click above for photo.)
-----
I'm frequently at loggerheads with cricket umpires, football referees and X Factor judges so it is no surprise that I disagreed with this decision. However, that is 3 judges against one listener so c'est la vie.
The question posed here was what is and what isn't jazz. Certainly Carpus Trio, the winning band, were more rock orientated than jazzified, Long Lonesome Go were pure and simply an improvising trio with only Harley Johnson's Trio having any semblance to being a jazz group.
Carpus had the most explosive start of any band in any genré I've ever heard and possibly this shell-shocked the judges into another millenium. That Carpus were tightly efficient can't be denied. However, they offered little variety to these ears. In fairness to them, they were ideal Cluny material.
Long Lonesome Go played one number that lasted for all of their 30 minute set and I breathed a sigh of relief when it was all over. Having said that, their drummer probably did deserve the Best Individual Performance award.
Finally, the Harley Johnson Trio - Harley on piano, Ivan Scutt, bass and Sid Wright, drums.
On paper the favourites and, if it had been a Corner House gig, surely runaway winners.
They played brilliantly and originally without even a trace of the Monkishness so associated with Harley.
Where they may have lost points was the strange decision to feature two bass and drum duets in the middle of a thirty minute set. With no disrespect to the two musicians, who are both excellent, this did cause things to flag slightly and there was a sense of lost momentum. In an hour long set they may have got away with it but not in such a short stint.
The final number, by bassist Scutt, the title of which I'm afraid to say I've forgotten, was a belter that I felt might just have swayed the judges but didn't quite. At least it won the best composition prize.
Nevertheless, an interesting attempt that hopefully will be repeated next year.
Lance.
at

4 comments :

Harley said...

Thanks for coming along on the night. Carpus Trio was defintely more associated with the Cluny - where that puts Harley Johnson then who knows - Chillingham perhaps? Maybe I would actually get more gigs doing that sort of 'minimalist' material but I'd rather just keep doing what I love to do instead of betraying the 'tradition' of jazz!

Friday, November 06, 2009 4:26:00 pm
Anonymous said...

I thought the Long Lonesome Go were far the most innovative act; refusing to comform to the usual jazz cliches. They as least seemed to have a sense of humour about the occasion.
The review and the previous comment confirm my worst suspicions about the insularity and cliqueishness of the North East Jazz Scene. Jazz is not something that can be constrained to being perceived as either appropriate to the Cluny or the Chillingham or both or neither: it transcends such parochialism.Jazz and "tradition" should be anathema.
I expect we'll be hearing a lot more from the LLG: I concede that they need to be a lot tighter but they showed a wealth of ideas, originality, and a refusal to be derivative and to be intimidated by some fusty notion of what jazz "should" be.

Friday, November 13, 2009 6:01:00 pm
Lance said...

To me, the beauty of jazz is that it can be all things to all men (and women). Far from being insular and cliquish I think jazz appreciation in whatever form is wider than it has ever been.
That I don't like everything I hear doesn't make me different to anyone else. The person who says he likes everything doesn't usually like anything.
Nevertheless, nothing written within these pages is written in stone and I'll happily beg to differ whilst acknowledging everyone has a right to their own opinion. That it's not my opinion doesn't make it wrong or right just different.
Long my jazz prosper on those differences.

Friday, November 13, 2009 6:18:00 pm
Long Lonesome Go said...

The 'jazz/not jazz' argument that's as old as jazz itself! I guess you're always going to get it with an art form that is as strongly rooted in the opposite poles of 'tradition' and 'innovation', and is innovation one of the main traditions within jazz - you can go on forever.
For our part...
We knew we were going to be the least 'jazz' on the nights bill by most people's idea of 'jazz'. We were certainly the least consciously 'jazz' of the three acts. To my ears both Carpus and Harley trios were clearly stating where there respective jazz flags were planted (indeed my main criticism of both would be that they didn't stray very far from those flags, but hey). The Long Lonesome Go flag is sometimes near a Stan Tracy trio, sometimes nearer Bitches Brew, sometimes Evan Parker. Quite a lot of the time it's somewhere a way from any of those. So some nights we'll be less 'jazz' than others. I would ask however how much free improvisation, extended technique/soloing and syncopation are a part of 'jazz'.

The point is for anyone to like us or dislike us, or anyone, because of the noises we create is one thing. To like/dislike (or worse dismiss) anyone for the same can sound like someone saying 'that's not fair, they're not playing by the rules' and suggests a smallness of mind and narrowness of view, two things which, I think we're all agreed, have no place in jazz.

Pawel - thanks for the kind words, I hope we can live up to them. The cheque is in the post.

Harley - Keep doing what you love but remember the tradition of jazz is a history of betrayals, I wouldn't worry, she's a forgiving mistress. And if you think that the 'minimalist' guys are getting all the gigs... not in my experience they're not.

Monday, November 16, 2009 2:15:00 pm

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