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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Tuesday June 19

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. Stu Collingwood, Paul Grainger, Matt MacKellar.

Mark Williams Trio - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 12, 2018

The Julija Jacenaite Trio @ The Globe - June 10

Julija Jacenaite (vocals, shakers); Steve Glendinning (guitar); Paul Grainger (bass)
(Review by Ann Alex/photo from stock)
Once again, another great performance from this trio, to a small but appreciative audience in this Jazz Coop gig at the Globe. Many of the songs began with the whole song sung slowly, then a gradual build up of solos, scat and skilled interpretation. Wave began as a gentle sea, quiet voice and shakers, smooth scat, bass solo (early on), then with an extended ending, very rhythmical. Alice in Wonderland began with voice and guitar only. The A Train was running faster, with bass and guitar on the tracks together, then slower at the end, when it speaks of possibly missing the train or decreasing speed as it approaches the station.
There were some original songs from Julija’s recent CD: Moon Moods, Down By The River, and Lyja, which is about rain, ending with ‘I love you’ - sung in Lithuanian - and a song about a Facebook profile.

Love Me Or Leave Me had Julija doing skilled wordless vocalising, with some amusing very low notes, and the guitar cheekily imitating some of the sounds. Misty, with a lovely slow guitar solo, and a song about an apple tree, in which a couple of people were handed the shakers, and we all helped with percussion with what we had in hand, in my case, the reviewer’s pen against a glass.
We joined in the chorus of the song that we’d done at the Durham Festival – ‘O Adiar, Adio, opa, opa, opa’, followed by a long guitar solo which was based on the tune that we’d just sung – great stuff. This was all rounded off with There’ll Never Be Another You, with solos, and Paul up at the dusty end of the bass fingerboard.
Another enjoyable night at the Globe.

Ann Alex

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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