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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Tuesday June 19

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. Stu Collingwood, Paul Grainger, Matt MacKellar.

Mark Williams Trio - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, June 14, 2018

Dun Cow Jam Session - June 13.

(Review by Lance).
It had been reported in previous dispatches that Paul Edis had taken up singing and we discovered, in the very first number, that this was true when he delivered a vocal chorus on It's Only a Paper Moon that did no harm at all. Think Mel Tormé without the tricky bits and you've got the picture.
That was the only trio track as, no sooner had Paul's dulcet tones faded than first time visitor - all the way from Germany - Ingo Torbohm, armed with tenor sax, jumped into the arena.
It's always a daunting task for anyone to be first to show at a pub jam session. The audience, still sober, are more attentive to the performer than they are later when, in some cases, conversation takes preference.
Ingo made no attempt to dazzle with bravura runs and flourishes instead, keeping it relatively straight and confidently playing within his limitations. Beautiful Love and Misty were his choices - no doubt he will be back.
Getting the right balance volume-wise is invariably a problem at the Dun Cow and Kay Usher suffered in this respect. Despite the low volume, Lady Be Good swung but Embraceable You, I think, had some confusion over the key which meant it didn't flow as fluently as we'd come to expect from this swinging lady.
No volume problems with Kate O'Neill who held the room entranced with Don't Explain and an up-tempo How High the Moon.
This was followed by a game of musical chairs with Edis going on to drums, Walker picking up bass guitar and Paul Grainger lighting up with a Lucifer. Helen Walker threatened on French horn and one half of the group known as I-Sister took centre stage. Lead vocals were by Andrea Harrison, formerly known as Hannah Jones, with support by Lisa Delarny on guitar and backing vocals.
Bewitched was indeed bewitching and Andrea gave us the whole 9 yards as written by Larry Hart unlike most singers these days who make do with the abbreviated version thus missing out the best verses (check them out).
They rounded off their short set with Aretha's Don't Play That Song.
This was also a first for me inasmuch I'd never heard French horn, live, in a small group jazz session. I was impressed by Helen Wardle - she'd return later.
The ever-present Matt sent Edis back to the keyboard and Jen Errington took over the vocal spot. Jen gave us a bouncy I Only Have Eyes for You and a melancholic When Sunny Gets Blue. She sounded good but, again, the mic. should have had an extra half a turn for her to be heard clearly.
Tenor player Sykes blew All the Things You Are - a number that seems to have become the national anthem of jam sessions - followed by A Night in Tunisia. Only the chaotic ending prevented this being the best number of the night but hey, that's jam sessions for you!
As the evening drew to a close, Mo(hammed) became the fourth incumbent of the drumkit and our French horn player joined George Sykes for My Funny Valentine. French horn and tenor? great potential for an arranger...
Kate returned to sing There is no Greater Love then Kay Usher and George finished things off with Wave. At last, we heard Kay at the right volume and it was worth waiting for.
Violin and tenor? great potential for an arranger...
Lance.
Photos.
Paul Grainger (bass); Paul Edis (piano/drums/vocal); Rob Walker (drums/bass guitar) + Ingo Torbohm (tenor); Kay Usher (violin); Kate O'Neill (vocals); Andrea Harrison (vocal); Lisa Delarny(guitar/vocals); Helen Wardle (French horn); Matt MacKellar (drums); Jen Errington (vocals); George Sykes (tenor); Hazem Mohammed (drums).

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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