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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Friday August 17

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Gerry Richardson Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Bullfrog Blues Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

Bop 3 - St John’s Hall, Snod’s Edge, Shotley Bridge DH8 9TJ. 7:30pm. £15.00. Tickets from 07766 037893. Second night of two – SOLD OUT. Trio - Snake Davis, Helen Watson & Dave Bowie.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 03, 2017

Jambone @ Ushaw College - Dec 1

Paul Edis (MD); Emily McDermott (vocal); Alex Thompson (clarinet); James Metcalf, Lucien Guest (trumpet); Ben Lawrence (piano); Ryan Da Silva (baritone); Matthew Downey (guitar); Alex Shipsey (bass); Dylan Thompson (drums); ? (trombone); ??? (saxes)
(Review by Jerry)
Kicking off a great evening of jazz at Ushaw we had a “mini-set” from tomorrow’s stars, Jambone, featuring three originals from MD, Paul Edis, plus a new arrangement of a favourite standard – My Funny Valentine.
It Ain’t Broke (Don’t Fix It) was the philosophical opener and featured solos from clarinet, trumpet and piano (Alex Thompson, James Metcalf and Ben Lawrence – all known to me from Early Bird gigs) plus vocals from Emily McDermott (whom I had not seen before).
Next up was the Newcastle Metro inspired The Wrong Way Round, never before heard with lyrics, apparently! Emily Mc Dermott held her nerve commendably through two full verses before the main band came in. The rhythm section laid a good foundation throughout and came into prominence in what seemed like a “rock” middle section to the piece. There were more solos too, including flute.
My Funny Valentine was by way of a request – a favourite of the vocalist who needed all her lung-power here to hold her own against a very brassy arrangement. She did, and, along with more solos (sax and trombone) earned enthusiastic applause from a good-sized audience.
The final Edis’ original whose title refers to something musical (therefore beyond me!) was Bite – a lively piece with much variation which provided a vehicle to showcase more of the band members. A series, not so much of solos as of “conversations”, featured trumpet and sax, trombone and baritone sax, flute and percussion, bass and drums. Great stuff!
Apologies to all those band members whose names I did not catch: reflecting my age and theirs (band members won’t remember Young Mr. Grace) I can only say, “You’ve all done very well!”
Jerry

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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