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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Tuesday October 17

Afternoon
Vieux Carré Jazzmen - Black Bull, 98 Front St., East Boldon NE36 0SG. 1pm. Free. 0191 5365127. 5th of 6 consecutive gigs. 2 mins from East Boldon metro.
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free. James Harrison on piano.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 14, 2015

CD Review: Let Spin – Let Go

Chris Williams (alto saxophone), Moss Freed (guitar), Ruth Goller (bass) & Finlay Panter (drums)
(Review by Russell).
Let Spin is a band of busy musicians working in a variety of contexts, in locations across Europe. When they work together as Let Spin they bring compositional ideas to the table formed from their collective performance experiences. Let Go is their second album. All of the material is informed by the input of all four band members.
Bassist Ruth Goller wrote the opening track I Like to Sound Like a Rainforest on the day Charlie Haden died. Goller said: I have never written anything with such a strong flow. It is Goller’s simple folk-like line that begins the piece giving way to her and Panter’s high energy groove, Chris William’s powerful alto playing and guitarist Moss Freed feeding in a succession of considered chords.   
Williams’ Walt’s Waltz hears the composer’s alto writhing, straining against an insistent heavy bass and drums groove with guitarist Freed’s sound lost in the turbulence of it all. Goller’s All Animals are Beautiful affords Freed the opportunity to be heard, riding over Panter’s constantly shifting patterns before Williams’ sinuous alto takes it down and out.
Disa, the first of Berlin-based Panter’s compositions, features searching alto guided by a snare and cymbals foundation. William’s own composition Killing Our Dreams, a down beat affair, ratchets up the tension, finally dissolving into stillness. Moss Freed’s E.V.A. (Extra Vehicular Activity, i.e. a space walk) begins quietly, viewing Planet Earth from a perspective which few humans have ever done. Then, if not in panic, the realisation that something could go wrong (see Ruth Goller’s CD cover art), invigorates the piece.
Beats and Pieces’ Finlay Panter confesses that Rotation, the album’s penultimate track, is a tribute to all the rock that I love; an unusual time signature, the quartet enjoys a rock ‘n’ roll jazz blowout. Freed’s Rothko’s Field has the effect that the title may suggest it should have on the listener – standing in front of a Mark Rothko canvas invites contemplation. A welcome coda to all that has gone before.
Let Go will be released on October 23 on Efpi Records (FR023). Let Spin’s British tour begins the following day at the Vortex, London, continuing to the Jazz Café, Newcastle 27, Edinburgh 28, Glasgow, 29, Lancaster (the Gregson Arts Centre), 30, and Zeffirelli’s, Ambleside, 30, before finishing up at the Fox and Newt, Leeds, on November 1.          
Russell    

1 comment :

  1. tickets available for the Edinburgh show from http://www.rippingrecords.com/tickets.php?id=4591

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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