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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 23, 2014

Song Lyric Course

The word schemes of P.G. Wodehouse, Dorothy Fields, Ira Gershwin, Cole Porter, Lorenz Hart, Oscar Hammerstein, Gus Kahn, Yip Harburg, Johnny Mercer, Stephen Sondheim, and others, were written for particular audiences in the N.Y. theatres and Tin Pan Alley. In the Manhattan mixed ethnic culture of early last century there were big changes in the literary and theatre arts generally, and something unique in the verse-prose of the popular song.  
For five weekly Tuesday mornings, starting October 7 at the Wylam Institute, we will listen to and study these popular song lyrics – course cost likely to be about £15 p.p.

To enroll contact rguariento@btinternet.com or phone 01661 852 632. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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