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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 27, 2014

CD Review: Sara Serpa & Andre Matos - Primavera

Sara Serpa (voice, Fender Rhodes, piano); Andre Matos (guitar, electric bass, cymbal). Also Greg Osby (soprano sax); Leo Genovese (melodica, kosikas, bombo legiiero, piano, toy guitar; Pete Rende (prophet keyboard)
(Review by Ann Alex).
Pin back your ears for something delightful when you listen to this CD. Ethereal, flowing, interweaving harmonies and rhythms that suggest jazz as JS Bach may have written it, with hints of the sound of free jazz on some tracks.  Sara Serpa sings sweet-voiced vocalese on most tracks, and all the music except Vanguard and Se Me Va La Voz is written by either Serpa or Matos.  Lyrics for another 2 tracks (in Spanish or Portuguese, not sure) are by a poet Alberto Caeiro, and the final track ‘Earth’ has music by Serpa, set to a poem by e.e. cummings.
For instance the first track, Primavera, is a wordless celebration of Spring, with ‘La Da’ type vocals cut across by the guitar, then the voice is double-tracked, the sound made me smile, and I guess this would be fun to do. Tempo follows, and this has Serpa singing slow, smooth, harmony with herself, and a church music feel from the keyboards.  Rios has rich Spanish guitar; then comes call and response involving sax and melodica, and deeper-voiced singing and free jazz elements on Choro. Kubana features staccato guitar with the whole band and the free feel returns with Nuvem and percussive keys and percussion. 14 tracks in all, every one worth listening to.
 I’d be glad if anyone out there could tell me what kosikas and bombo legiiero, mentioned among the instruments above, are.  The names sound like percussion. Whatever, the whole CD is a gem, especially for those with adventurous tastes who like something a bit different. The CD was planned originally as a straightforward acoustic duo but as Serpa and Matos became more involved in experimenting with the music, this CD was the result.
Primavera is released on April 25 via Inner Circle Music.
Ann Alex. 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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