Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18844 (and counting) posts since we started blogging 18 years ago. 708 of them this year alone and, so far this month (Aug. 27) 77.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

September.

Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, John Hirst.

Wed 02: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 03: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 03: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Feat. Ian Bosworth (guitar); Ron Hampton (guitar); Riche Emmerson (tenor sax); Dan Johnson (tenor sax, alto sax); Garry Hadfield (keyboards); Adrian Beadnell (bass); Mark Hawkins (drums).

Fri 04: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 04: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 04: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 04: FUNK: new musicians collective @ Pilgrim, Newcastle. 7:30pm (doors). £6.00. Line-up inc. Chris Caygill & Daniel Chandler.
Fri 04: The Upside + Lagos to Longbenton @ Cumberland Arms, Byker, Newcastle. 8:00pm. £8.00. Ska, funk, Afro-fusion & more.

Sat 05: Alligator Gumbo @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 05: Tees Bay Swing Band @ Hartlepool Art Gallery. 4:00-6:15pm. £6.00. Concert performance. Tickets available from the venue - tel: 01429 869706.
Sat 05: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sunday, August 09, 2026

The Bridget Metcalfe Band @ Dorman's Jazz Club Middlesbrough - Aug.6

Bridget Metcalfe (vocals); Dave Archbold (piano); Josh Bentham (alto/concert flutes); Dan Johnson (alto sax); Vilda Kuby (double bass); Steve Fletcher (drums).

The new line up of the Bridget Metcalfe band promised to give the audience an entertaining night of  music that would include several of her original compositions.

Starting with an instrumental number, Billy Taylor's I Wish I Knew How it Would Feel to be Free was a good choice enabling the musicians to immediately display their talents with an intro from Josh on flute, piano solo from Dave, more flute from Josh and sax from Dan backed up with solid bass and drums from Vilda and Steve respectively making for an excellent  start.

With a smile on her face, Bridget stepped up with great enthusiasm to sing the rest of the numbers of the first set.

Demonstrating her fine vocal skills with: Almost Like Being In Love; Just One Of Those Things and Jobim's classic number Wave which was sung and played with great feeling and included excellent solos from Josh and Dan and a moving bass solo from Vilda.

The ever-popular All the Things You Are was followed by Cooper's Calling - an original medium swing number nicely sung by Bridget. From the musical Mr Wonderful, Too Close For Comfort was followed by the ballad Close Enough For Love from the film Agatha.

Chico and the Man, a number with a Latin feel came from an American TV series that ran in the 1970s. Another original composition Martini Please, also had a Latin flavour before the first set was brought to a close with the dramatic ballad  Save Your Love For Me.

The second set started in style  with a swinging instrumental, Michel Legrand's composition Les Parapluies De Cherbourg.

Bridget then returned to the stage for the remainder of the set starting with a lively version of One Note Samba and a nice original ballad I Can't Let This One Go.

The mood changed completely with How High The Moon?; A Foggy Day; Un Homme et Une Femme (from a French romantic, dramatic movie) and Cole Porter's You'd be so Nice to Come Home to.

Another original song Butterfly was beautifully performed by all the band supporting Bridget's emotional vocal.

Cole Porter's What Is This Thing Called Love? with Bridget's fine vocal and great piano, sax and flute solos backed up by solid bass and drums to set the stage for the final number of the evening the up-tempo bossa No More Blues (Chega de Saudade).  Excellent solos all round with driving bass and drums gave Bridget wonderful support to finish the evening.

The originals were written by Bridget in conjunction with Mark Allaway except for Butterfly which she wrote with Chas Jankel.

Another successful guest band night with Bridget showing her experience of the London show scene and the backing of some of the top local jazz musicians. 

Many thanks as usual go to the staff of Dorman's Club in their continued support with the jazz night. Ron Hampton

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