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| (© Pam) |
Harry Keeble (tenor sax); Mark Williams (guitar); Andy Champion (double bass); Russ Morgan (drums)
Blaydon Jazz Club's 40th anniversary concert series is shaping up nicely. This evening's concert featured the debut performance of the Russ Morgan Quartet. Other than a recent appearance at Darlington's Opus 4 Jazz Club working in the company of Paul Edis and Vasilis Xenopoulos, it had been a while since drummer Russ Morgan graced the regional jazz scene. His return to the stage here at the Black Bull on Bridge Street was eagerly anticipated and at a little after eight o'clock Pat Metheny's John McKee opened the show.
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| (© Pam) |
Morgan's quartet - comprising Mark Williams and Andy Champion, both firmly established on the national stage, and relative newcomer, Harry Keeble - revelled in the material, the occasion and the support of an 'on-side' Blaydon Jazz Club audience. Don't Shoot the Messenger (John Scofield) and Wayne's Thang (Kenny Garrett) were but two first set highlights. And then we heard Yes or No, heard as never before. Wayne Shorter's composition is usually taken at a breakneck tempo, not this evening! An agonisingly slow tempo opened ears, a revelation to some, we were hearing the tune as if for the first time, evoking a Coltrane-like spirituality, quite amazing!
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| (© Pam) |
Jim Hall has been a touchstone at Blaydon Jazz Club over the years and the late, great American guitarist's influence was in evidence once more as bandleader Morgan announced Frisell Frazzle. From one guitarist to another to another...Hall to Frisell to Mark Williams. Marvellous. And another notable six-stringer, John Abercrombie, provided another of the evening's numbers - Jumpin' In. Whichever modern/contemporary chart Morgan threw at his bandmates it didn't faze them one bit.
Morgan's mastery of his chosen instrument was clear for all to see, at times spinning several plates, the hi-hat working overtime, Branford Marsalis' Mr Steepee no better example, Max, Philly Joe et al, this was some performance. The level of musicianship on display from all four musicians was of the highest order. Russ Morgan has been a big miss, that's for sure. Welcome back! Russell
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