Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Wednesday, April 17, 2024

Bailey Rudd (drum kit): Minor Creative Project @ Music Studios, Newcastle University - April 17

Postgraduate music student Bailey Rudd presented his Drum Kit, Minor Creative Project recital performance at an unlikely time of day, 11:45am to be precise. Considering Bailey and five of his bandmates working alongside him this morning were out late last night at a jam session, there was a spring in their collective step. 

Bailey's programme notes outlined his dissertation (researching how local, traditional and contemporary jazz scenes survive). Bailey wrote of his recital: This will be a history of the musics that influence the British contemporary jazz scene today. Joining Bailey in his endeavours were no fewer than nine fellow graduates/undergraduates. 

Should I? (Dejan's Olympia Brass Band) opened the performance, typically New Orleans, second line and all. Bailey's bandmates showed great enthusiasm, no doubt reassuring our examinee no end! And onto the next number, Count Basie's Whirly Bird. Shorn of one of the great trumpet sections in jazz, Olly Styles (tenor sax), Conor Emery (trombone) and Jacob Egglestone (trumpet) did a fine job in evoking the spirit of the The Atomic Mr. Basie recording, Bailey himself producing an extended solo inspired by Buddy Rich, Sonny Payne and Butch Miles. We were hearing Bailey as never before, absolutely terrific!

Referencing Ezra Collective, Bailey played Joe Cain & His Orchestra's Que Paso. Our examinee's programme notes read: The listener should hear a 2/3 clave in the A section, fluidly switching to a 2/3 clave in the B. We were listening. Fela Kuti & Africa 70's Water No Get Enemy paid homage to the late Tony Allen (Bailey painstakingly transcribing the material). Breakbeats have become part of the drummer's repertoire and Bailey set about showing how it's done with Amen Break Mashup. Blistering, snapping work on the snare, the recital was going well! To conclude, Intentions by local heroes SwanNek (the band's drummer, one B. Rudd). That was a nice touch, staying rooted in the local scene.                  

Bailey Rudd - and his bandmates - did a great job. What of the future for Bailey? Onwards and upwards. Russell 
      
Bailey Rudd (drums) + Olly Styles (tenor sax); Conor Emery (trombone); Ruby Oldknow (flute); Jacob Egglestone (trumpet, guitar); Louis Wild (keyboards); Findlay Hewitson (keyboards); Jamie Watkins (bass guitar); Jake Baines (bass guitar); Josh Weir (percussion)

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