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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Laurence Harrison, Paul Grainger, Tim Johnston.
Tue 18: Phil Bancroft’s Beautiful Storm @ The Cluny, Newcastle. 8:00pm. £13.20 & £11.00.. A JNE-Gem Arts co-promotion.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Swamp Stomp String Band @ The White Room, Stanley. 7:45pm.
Sat 22: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: The Great Deceivers @ The Globe, Newcastle. 8:00pm. Tom Atkinson & co play King Crimson (1969-1974). Atkinson (guitar); Josh Bentham (alto sax); Stu Dawson (bass); Jeff Armstrong (drums).

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, April 25, 2024

Album review: Ricky Alexander - Just Found Joy (Turtle Bay Records)

Ricky Alexander (soprano sax, clarinet, vocals, arrangements); Jon-Erik Kellso (cornet); Dalton Ridenhour (piano); Jon Thomas (piano tks 1,3,4,6,7,11); Brennen Ernst (guitar tks 2,4,8,9,10,12); Rob Atkins (bass); Kevin Dorn (drums) + Vanisha Gould (vocals tks 2,5,8,10).

Despite being basically a quintet, the overall feeling I get from my first listen is of those 1940 recordings by the Bechet-Spanier Big Four. On soprano, Alexander has that wide vibrato associated with Bechet although Kellso is a more assertive figure than Muggsy was which makes for more of a level playing field. The illusion is particularly compounded on those tracks where Ernst provides a link between the two just as Carmen Mastren did on the Bechet-Spanier dates. 

People Will Say We're in Love, is taken at a much faster tempo than in the film (Oklahoma) and it works, setting the scene for 45 minutes of small group swing.

Sweet Lorraine. A Rhapsody in Blue(ish) intro from Ridenhour leads into a distinctive vocal from Gould. Alexander adds some vocal harmony. Bechet-Spanier also did a 'job' on Lorraine

King Porter Stomp - and stomp it does! A Lindy Hopper's dream tempo with solos to drive them on to terpsichorean madness.

Promenade, composed by Alexander, has a lovely relaxed tempo.

Gould returns for a bouncy It Had to be You. A suggestion of Pearl Bailey in her phrasing and there's nothing wrong with that. More fine solos from horns and piano.

Just One of Those Things is much more than it says on the tin. Cole Porter may not have visualised his song being treated in this way but the up-tempo rhythm and the solos don't do it any harm at all.

High Society - with a difference! It was strutting merrily along, as versions of this hoary old New Orleans march invariably do and I waited without a lot of enthusiasm for the traditional, obligatory, clarinet solo - I've heard it so many times I could probably sing it backwards - if I could sing that is! Here it comes, but, hang about, he's playing soprano and not only that but Kellso's joined in and the pair of them are trading, duetting, counter-punching. They've taken this society even higher and if that wasn't enough Thomas' piano solo gives it yet another lift.

Fine and Dandy and another vocal by Gould which is fine and dandy with me. Alexander on clarinet is also fine and Kellso's solo is just dandy.

Don't Blame Me has Alexander exercising his vocal chords, Kellso blows, Alexander growls à la Pee Wee, piano strides and the leader has another go at singing. Maybe not as good as Frank but better than Nancy.

Spring is Here, a sensitive take by Gould on the Rodgers and Hart classic.

The Touch of Your Lips, a gentle swinger with the two horns working well together with piano soloing over a fast shuffling rhythm.

Rubber Plant Rag, seemingly, is an old clarinet showpiece composed by George L.Cobb in 1909 and described on the sheet music as a 'stretcherette' - the mind boggles! Alexander, Ridenhour and the rhythm boys prove they can stretcherette with the best.

Highly recommended for those who like to party to classic jazz. Lance 

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