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| (© Ken Drew) |
Judging by the size of the audience downstairs at the Globe (~65 plus a few standing) expectations were high. Having seen Stirrat and Costello as part of Animal Society (led by Joe Williamson on guitar) at the Bridge in March 2020 (remembered as a highly energetic performance, and the last by JNE before Lockdown) along with McCreadie's energy and increasingly wide reputation added to the mix, along with Weir and Cahill (both new to me) I was sure that the sum of the parts would surely create some fireworks.
Well, it did to some extent, but from a purist jazzer's point of view it was lacking in available spaces for individuals to step forward and focus on their own contribution. Once I realised that this was a new band/combination (to me) and they were promoting their new release Obelisk I settled into enjoying the overall sound being produced.
I won't distinguish between the two sets, both were uninterrupted with segues between the ever changing mood and intensity of each part. I actually found it was a welcome surprise since overall it provided a more immersive feel to the ever-flowing, slowly changing rhythms and an overall immersive soundscape.
The driving force was certainly the bandleader/composer Costello on drums, semi-hidden by the kit which included a spiral 'trash effect' cymbal, together with Stirrat on electric bass. Together they provided much of the driving force behind the strongly rhythmic sections. Both sets started quietly gradually gaining volume and complexity, taking us on a slowly developing sonic journey, morphing with near-repetition many times throughout.
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| (© Ken Drew) |
So, an overall great night of music, of wider range and style than was anticipated. But I, like many I spoke to, went home happy to have experienced Strata live. Plus, there was a bonus for anyone able to listen to Jazz FM on their way home - at 10:45 they played The Colossus from their second album (2021). This gave me the impetus to look further into their background and output since forming in 2016, and I strongly recommend people do just that.
Costello's Bandcamp page states: 'I love minimalism, human repetition, improvisation, and cyclic grooves' and says 'Second Lives spans Reichian minimalism, semi-free jazz à la Binker and Moses, polyrhythmic math rock, and pensive, cinematic ambience.' If only I'd read that first to save me discovering it during the performance and changing my expectations. Enthralling stuff! Ken Drew
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